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Profile picture of Paulino Capdepon

Paulino Capdepon

,

@paucap

1157

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7

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  • Profile
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  • CORE deposits 37
  • Following 1157
  • Followers 7
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  • My Deposits

  • “Antonio Soler”. In Oxford Bibliographies of Music, Oxford-New York: Oxford University Press, 2017

    Author(s):
    Paulino Capdepon
    Date:
    2017
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Bibliographies, Soler, Antonio, 1729-1783
    Item Type:
    Bibliography
    Tag(s):
    music, bibliographies, Antonio Soler

  • Vibrationen, die die Ankunft Mozart ankündigen. Mozartrezeption im Spanien des 18. Jahrhunders

    Author(s):
    Paulino Capdepon
    Date:
    2007
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Operas, Mozart, Wolfgang Amadeus, 1756-1791, Spain
    Item Type:
    Book chapter
    Tag(s):
    music, Theater, Opera, reception

  • L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun

    Author(s):
    Paulino Capdepon
    Date:
    2012
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Musical instruments in art, Organ music, Cavaillé-Coll, Aristide, 1811-1899
    Item Type:
    Article
    Tag(s):
    music, Organ

  • La capilla de música de la Catedral de Segorbe en el siglo XVII [The chapel music at the Segorbe Cathedral in 18th century]

    Author(s):
    Paulino Capdepon
    Date:
    1998
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Religious Studies, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Sacred music, Chapels, Cathedrals, History, Modern
    Item Type:
    Article
    Tag(s):
    music, cathedrals, 18th-century music

  • La capilla de música del monasterio de las Descalzas Reales de Madrid [The chapel music at the Descalzas Monastery in Madrid]

    Author(s):
    Paulino Capdepon
    Date:
    1997
    Group(s):
    American Musicological Society, History, International Musicological Society (IMS), Religious Studies, Society for Music Theory (SMT)
    Subject(s):
    Music, Chapels, Eighteenth century, Monasterio de las Descalzas Reales (Madrid, Spain)
    Item Type:
    Article
    Tag(s):
    music, chapel, modern time

  • La Música en la época de Alfonso X el Sabio: las Cantigas de Santa María [Music in the time of Alfonso X: The Cantigas de Santa María]

    Author(s):
    Paulino Capdepon
    Date:
    2011
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Medieval Studies, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music--Medieval influences, Art music, Courts, Cantigas de Santa María (Alfonso X, King of Castile and Leon), Alfonso X, King of Castile and Leon, 1221-1284, Musical instruments
    Item Type:
    Article
    Tag(s):
    music, Medieval, court, Cantigas, Alfonso X

  • Influencia y recepción de la obra musicológica de Constantin Floros [Influence and reception of the musicological output of Constantin Floros]

    Author(s):
    Paulino Capdepon
    Date:
    2020
    Group(s):
    Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Musicology, Floros, Constantin, Research, Music theory
    Item Type:
    Book chapter
    Tag(s):
    music, Theory, Reception

  • Música y músicos en la Colegiata de Santa María la Mayor de Talavera de la Reina (1800-1851),

    Author(s):
    Paulino Capdepon
    Date:
    2022
    Group(s):
    International Musicological Society (IMS), Public Humanities, Religious Studies, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Musicology, History, Contemporary Christian music, Chapels, Spain--Talavera de la Reina
    Item Type:
    Book
    Tag(s):
    music, religion, Religion and Culture

  • La teoría musical española en la época de Tomás Vicente Tosca [The Spanish musical theory at the time of Tomás Vicente Tosca]

    Author(s):
    Paulino Capdepon
    Date:
    2022
    Group(s):
    Digital Humanists, International Musicological Society (IMS), Public Humanities, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Musicology, Music theory
    Item Type:
    Book chapter
    Tag(s):
    music, theory

  • La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)]

    Author(s):
    Paulino Capdepon
    Date:
    2021
    Group(s):
    Arts and Humanities Funding, Digital Humanists, International Musicological Society (IMS), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Musicology, History, Chapels, Sacred music, Dramatic music
    Item Type:
    Book chapter
    Tag(s):
    music, history, opera, religion

  • La Orquesta Sinfónica de Madrid y los actos conmemorativos del Centenario de Beethoven de Ludwig van Beethoven (1927) [The Madrid Symphony Orchestra and the Ludwig van Beethoven's Centenary Celebrations (1927)]

    Author(s):
    Paulino Capdepon
    Date:
    2021
    Group(s):
    Arts and Humanities Funding, Digital Humanists, Gender Studies, International Musicological Society (IMS), Public Humanities
    Subject(s):
    Musicology, History
    Item Type:
    Book chapter
    Tag(s):
    music, orchestra, Symphony, Beethoven, Spain, reception

  • Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)

    Author(s):
    Paulino Capdepon
    Date:
    2011
    Group(s):
    International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)
    Subject(s):
    Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832
    Item Type:
    Article
    Tag(s):
    Composer, musical composition, musical culture, Singer, theatre

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Paulino Capdepon

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@paucap

Active 1 week, 6 days ago