M Selim Yavuz PhD, Assistant Professor Istanbul University, State Conservatory Commons username: @mselimyavuz ORCID iD: 0000-0002-3111-6917 mselimyavuz.com Following 6 members View ProfileActivitySites 0CORE deposits 18Following 6Followers 10Groups 1DiscussionsDocs Academic InterestsMusicology Commons GroupsHCMusic and Sound Recent Commons Activity AboutI earned my PhD degree in Musicology from Leeds Beckett University. I taught “Composition Techniques in 20th century”, “Critical Perspectives in Musical Composition”, “Introduction to Sociology”, and “Social Thought in Movies” at various institutions and departments. I come from a computer science and engineering and historical musicology background. My PhD thesis focused on the genealogy of death/doom metal music networks in northern England. I have previously worked on John Dowland’s religious oeuvre and Elizabethan social structures in 17th century; and I have also written a dissertation on the ideas of death and suicide in depressive suicidal black metal music. I am currently working as an assistant professor in musicology at Istanbul University, State Conservatory. My research interests include extreme metal music, death and culture, and digital musicology among others. EducationPhD Musicology – Leeds Beckett University, 2018 MMus Ethnomusicology – Royal Holloway, University of London, 2015 MA Historical Musicology – Istanbul Technical University, Centre for Advanced Studies in Music, 2014 BSc Computer Science and Engineering – Sabanci University, 2012 CVView file Work Shared in COREArticles‘Delightfully depressing’: Death/doom metal music world and the emotional responses of the fanDissertationsJohn Dowland’s Religious Venture: Perspectives on the Elizabethan Social Structure and Rhetorical Analysis of ‘A Pilgrimes Solace’Dead is dead: Perspectives on the Meaning of Death in Depressive Suicidal Black Metal Music through Musical RepresentationsEssaysGloomy Divergence: Death/Doom Metal as Dark LeisureSymbolism and Text Painting in Tan Dun’s Marco PoloDoom metal and ways of remembering in popular musicTheses‘The Barghest o’ Whitby’: (A Genealogical Study of) Death/Doom Metal Music(al) Network in Northern EnglandConference papers‘Death – Pierce Me’: A case study considering a Freudian repetition-compulsion view in depressive suicidal black metal‘Gateways of Bereavement’: a defence of sub-categorisation in metal music‘Golden Hatred’: anti-war sentiment and transgression in death doom metal‘My Body, a Funeral’: dark leisure activity and death reflections in death/doom and gothic/doom metal music‘Quiet These Paintings Are’: the function of slowness in doom metal styles‘The Blood, The Wine, The Roses’: Lust and contrast in My Dying Bride’s music‘A Cruel Taste of Winter’: Gothic/doom metal as an act of Northernness‘Humörets Bottenvåning’: Suicide in depressive suicidal black metal music‘The Raven and the Rose’: Tradition and Death/Doom Metal MusicOtherHong Kong Metal Scene: An overview and related issuesVocal accent and identity in Scandinavian metal Blog Posts