Other Publications

Music Theory in Late Medieval Avignon: Magister Johannes Pipardi. Routledge, 2021.

 




“Ludomusicology: Normalizing the Study of Video Game Music.” Translation of “Ludomusicología: Normalizando el Estudio de la Música de los Videojuegos.” Juan Pablo Fernández-Cortés, originally published in Anuario Musical 75 (Jan–Dec 2020): 181–199. Journal of Sound and Music in Games 2, no. 4 (2021), 13–35. https://doi.org/10.1525/jsmg.2021.2.4.13 

Karen M. Cook, Julianne Grasso, Dana Plank, Matthew Thompson, and Ryan Thompson. “Introduction to Video Game Music.” Teaching the Game: A Collection of Syllabi for Game Design, Development, and Implementation, vols. 1–2, edited by Emily Baumgartner, Richard E. Ferdig, and Enrico Gandolfi, vol. 1, 92–116.  Pittsburgh, PA: ETC Press, 2021.

Review of Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice, by Jane D. Hatter (Cambridge University Press, 2019). Notes: Quarterly Journal of the Music Library Association 77, issue 4 (June 2021): 598–601.

“Workbook: The Medieval Period, Part 1: Monophonic Traditions.” A-R Online Musical Anthology, May 2021. https://www.armusicanthology.com/media/PDFs/02-Guides-Medieval1.pdf

“Workbook: The Medieval Period, Part 2: Polyphonic Traditions.” A-R Online Musical Anthology, May 2021. https://www.armusicanthology.com/media/PDFs/03-Guides-Medieval2.pdf

“Johannes Pipardi [Pipudi].” Grove Music Online. Dec 23, 2020. https://doi.org/10.1093/omo/9781561592630.013.90000315354

Review of Karen Desmond, Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice (Cambridge: Cambridge University Press, 2018). Theoria 26 (2020): 141–44.

Review of Unlimited Replays: Video Games and Classical Music, William Gibbons (Oxford: Oxford University Press, 2018) and Bits and Pieces: A History of Chiptunes, Kenneth B. McAlpine (Oxford: Oxford University Press, 2018). Sound Studies (June 2020). https://doi.org/10.1080/20551940.2020.1776922

“Whose Music? Questions of Representation in the Early Music Survey,” Studies in Medieval and Renaissance Teaching (SMART) 27, no. 2 (2020): 41–52.

“ Visible and Invisible Impairments in Images of Medieval Musicians,” in The Medieval Disability Sourcebook, edited by Cameron Hunt McNabb, 476-84. New York: punctum books, 2020.

“Gaming the Medievalist World in Harry Potter,” in The Oxford Handbook of Medievalism in Music, edited by Kirsten Yri and Stephen Meyer, 750-63. Oxford: Oxford University Press, 2020. Also published online as part of Oxford Handbooks Online, Mar 2020. doi: 10.1093/oxfordhb/9780190658441.013.45

“Canon Anxiety?” In “Colloquy: Canons of Game Music and Sound,” Karen M. Cook, William Gibbons, Julianne Grasso, and Hyeonjin Park, Journal of Sound & Music in Games 1, no. 1 (2020): 95–99.

“Medievalism and Emotions in Video Game Music.” postmedieval 10, no. 4 (Dec 2019): 482–497.

Review of The Montpellier Codex: The Final Fascicle, Contents, Contexts, Chronologies, edited by Catherine A. Bradley and Karen Desmond (Boydell Press, 2018). Notes: Quarterly Journal of the Music Library Association (2019): 250-53.

“ ‘The Things I Do For Lust …’: Humor and Subversion in The Bard’s Tale (2004),” in Music in the Role-Playing Game: Heroes & Harmonies, edited by William Gibbons and Steven Reale, 21–34. New York: Routledge, 2019.

“Beyond (the) Halo: Plainchant in Video Games,” in Studies in Medievalism XXVII: Authenticity, Medievalism, Music, edited by Karl Fugelso, 183–200. Suffolk, UK: Boydell & Brewer, 2018.

“1378: Music at the Start of the Schism,” EMAg: The Magazine of Early Music America 24, no. 3 (Sept. 2018): 30–34.

“Nicolaus de Aversa, Frater.” Grove Music Online. September 28, 2018. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-3000000135

James Cook and Karen M. Cook. “Medievalism and Music.” In Oxford Bibliographies in Music. Edited by Bruce Gustafson. New York: Oxford University Press, March 2018. doi: 10.1093/obo/9780199757824-0241

“John Dunstaple,” A-R Online Musical Anthology, 2018. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=784 [log-in required]

Karen M. Cook and Carol Williams, “New Light on Frater Nicolaus de Aversa: His Plainchant Treatise in LHD 244.” Musica Disciplina 60 (2015, pub. 2017): 115–148.

“Beyond the Grave: The ‘Dies irae’ in Video Games,” Sounding Out! https://soundstudiesblog.com/2017/12/18/beyond-the-grave-the-dies-irae-in-video-game-music, Dec 18, 2017.

“Cantigas de Santa Maria.” A-R Online Musical Anthology, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=745 [log-in required]

“Comtessa (Beatriz?) de Dia.” A-R Online Musical Anthology, 2017. http://www.armusicanthology.com/anthology/ViewerPlus.aspx?=1&music_id=746 [log-in required]

“Teaching the Pre-Modern Post-Inauguration.” Guest blog post, MassMedieval: MASSachusetts State Universities Medieval Blog, Feb 1, 2017. https://massmedieval.com/2017/02/01/teaching-the-pre-modern-post-inauguration

Review of The Art of Grafted Song: Citation and Allusion in the Age of Machaut, by Yolanda Plumley (Oxford: Oxford University Press, 2014). Ars Lyrica 24 (2015, pub. 2017): 75–78.

Review of The Musica of Hermannus Contractus, ed. and trans. Leonard Ellinwood, rev. and new introduction by John L. Snyder (Rochester, NY: University of Rochester Press, 2015). Francia- Recensio, 2017. http://www.perspectivia.net/publikationen/francia/francia-recensio/2017- 1/ma/ellinwood_cook.

Review of The ‘Ars musica’ Attributed to Magister Lambertus/Aristoteles, ed.Christian Meyer and trans. Karen Desmond (Burlington, VT: Ashgate, 2015). Theoria 22 (2015): 189–94.

“Text Mining and Early Music: Using Lexomics in Research.” Early Music (Winter 2015): 1–6.

“A New Reading of Binchois’s ‘Mon seul et souverain desir.’ ” Plainsong & Medieval Music 24, issue 2 (Oct. 2015): 167–88.

“Music, History, and Progress in Sid Meier’s Civilization IV,” in Music and Video Games: Studying Play, edited by K. J. Donnelly, William Gibbons, and Neil Lerner, 166–82. New York: Routledge, 2014.