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Julia Mattes deposited Neolithische Kunst der zirkumpolaren Jäger und Sammler Die Figuren der Grübchenkeramischen Kultur und ihre Deutung in the group
Linked Pasts IV on Humanities Commons 2 years, 4 months ago
The neolithic figurines of North – and North-East Europe, belonging to Pitted Ware culture and Pit-Comb Ware culture, are a desideratum to research. These pretty creations, often sculptures of human and animals such as bears, moose, seals, wild-horse, domestic animals and fantastic four-limped beings are spatially distributed over the Baltic R…[Read more]
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Julia Mattes deposited Neolithische Kunst der zirkumpolaren Jäger und Sammler Die Figuren der Grübchenkeramischen Kultur und ihre Deutung in the group
Late Medieval History on Humanities Commons 2 years, 4 months ago
The neolithic figurines of North – and North-East Europe, belonging to Pitted Ware culture and Pit-Comb Ware culture, are a desideratum to research. These pretty creations, often sculptures of human and animals such as bears, moose, seals, wild-horse, domestic animals and fantastic four-limped beings are spatially distributed over the Baltic R…[Read more]
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Julia Mattes deposited Neolithische Kunst der zirkumpolaren Jäger und Sammler Die Figuren der Grübchenkeramischen Kultur und ihre Deutung in the group
History on Humanities Commons 2 years, 4 months ago
The neolithic figurines of North – and North-East Europe, belonging to Pitted Ware culture and Pit-Comb Ware culture, are a desideratum to research. These pretty creations, often sculptures of human and animals such as bears, moose, seals, wild-horse, domestic animals and fantastic four-limped beings are spatially distributed over the Baltic R…[Read more]
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Julia Mattes deposited Neolithische Kunst der zirkumpolaren Jäger und Sammler Die Figuren der Grübchenkeramischen Kultur und ihre Deutung in the group
Archaeology on Humanities Commons 2 years, 4 months ago
The neolithic figurines of North – and North-East Europe, belonging to Pitted Ware culture and Pit-Comb Ware culture, are a desideratum to research. These pretty creations, often sculptures of human and animals such as bears, moose, seals, wild-horse, domestic animals and fantastic four-limped beings are spatially distributed over the Baltic R…[Read more]
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Julia Mattes deposited Neolithische Kunst der zirkumpolaren Jäger und Sammler Die Figuren der Grübchenkeramischen Kultur und ihre Deutung on Humanities Commons 2 years, 4 months ago
The neolithic figurines of North – and North-East Europe, belonging to Pitted Ware culture and Pit-Comb Ware culture, are a desideratum to research. These pretty creations, often sculptures of human and animals such as bears, moose, seals, wild-horse, domestic animals and fantastic four-limped beings are spatially distributed over the Baltic R…[Read more]
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Julia Mattes's profile was updated on Humanities Commons 2 years, 4 months ago
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Julia Mattes deposited Mattes Pandemic Pictures The Justinian Plague and the Black Death in Art in the group
Linked Pasts IV on Humanities Commons 2 years, 7 months ago
The Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Julia Mattes deposited Mattes Pandemic Pictures The Justinian Plague and the Black Death in Art in the group
Late Medieval History on Humanities Commons 2 years, 7 months ago
The Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Julia Mattes deposited Mattes Pandemic Pictures The Justinian Plague and the Black Death in Art in the group
History on Humanities Commons 2 years, 7 months ago
The Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Julia Mattes deposited Mattes Pandemic Pictures The Justinian Plague and the Black Death in Art in the group
Archaeology on Humanities Commons 2 years, 7 months ago
The Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Julia Mattes deposited Mattes Pandemic Pictures The Justinian Plague and the Black Death in Art on Humanities Commons 2 years, 7 months ago
The Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Julia Mattes deposited Lagerthas Schwestern? Über Kämpferinnen in der (Früh-)Geschichte und Waffengräber von Frauen in Nordeuropa. on Humanities Commons 2 years, 8 months ago
Lagertha’s sisters. About female fighters in (pre)history and womens’ weapon graves in Northern Europe. While for quite some time fighting women have been a fixed part of…[Read more]
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Julia Mattes's profile was updated on Humanities Commons 2 years, 8 months ago
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Julia Mattes deposited Die zoomorphen Abbilder des Neolithikums und der Bronzezeit in Skandinavien on Humanities Commons 3 years, 7 months ago
The zoomorphic artefacts of North – and Northeast Europe, mainly belonging to the Pitted Ware culture and the Pit-Comb Ware culture are rearly dealt with in research. This is probably due to their heterogenic nature – there are figurines and sculptures made of different materials, rock carvings and other objects – and their difficult i…[Read more]
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Julia Mattes's profile was updated on Humanities Commons 3 years, 7 months ago