Other Publications
Journal articles:
Hania A.M. Nashef (2021) “The right to narrate”: Gazans contest popular geopolitics with film,
Journal of Postcolonial Writing, DOI:
10.1080/17449855.2021.1963311
“Suppressed Nakba Memories in Palestinian female narratives: Susan Abulhawa’s
The Blue Between Sky and Water and Radwa Ashour’s
The Woman from Tantoura.”
Interventions: International Journal of Postcolonial Studies, DOI: 10.1080/1369801X.2021.1892513
“Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in
Palestinian Walks,
Prose Studies (2020): DOI:
10.1080/01440357.2020.1850168
“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Quarterly Review of Film and Video (2020):
DOI:
10.1080/10509208.2020.1818531
“‘Nothing is Left to Tell’: Beckettian Despair and Hope in the Arab World,”
Samuel Beckett Today / Aujourd’hui 31 (2019) 201–218. doi:10.1163/18757405-03102002
“Coming of Age in Troubled Times:
Son of Babylon and Theeb.”
Film International (2018): 16 (2): 24-32.
“Two memories: Darwish and Shehadeh recount their days under siege,”
Prose Studies: History, Theory, Criticism DOI: 10.1080/01440357.2016.1269452 (2017).
“Challenging the myth of ‘a land without a people’: Darwish’s
Journal of Ordinary Grief and
In the Presence of Absence,”
The Journal of Commonwealth Literature (2016).
“Virtuality and différance in the age of the hyperreal”
Empedocles: European Journal for the Philosophy of Communication, 7:1 (2016).
“Demythologizing the Palestinian in Hany Abu-Assad’s
Omar and
Paradise Now,”
Transnational Cinemas, 6:3 (2015).
“Specters of Doom: Saramago’s Dystopias in
Blindness and
The Cave,”
Orbis Litterarum, 70: 3 (2015).
“أهلاً, hello and bonjour: a postcolonial analysis of Arab media’s use of code switching and mixing and its ramification on the identity of the self in the Arab world”
International Journal of Multilingualism, 10:3 (2013).
“Abu Ghraib and Beyond: Torture as an Extension of the Desiring Machine”
Altre Modernità 8 (2013). (Translated into Turkish in 2015 by Abdurrahman Aydin, “Ebu Gureyb ve Ötesi: Arzu Makinesinin Bir Genişlemesi Olarak İşkence,”
http://www.demos.org.tr).
“Disconcerting Images: Arab Female Portrayals on Arab Television”
Interventions: International Journal of Postcolonial Studies 14: 4 (2012).
“Songs and Words of the Arab Spring”
Postcolonial Studies Association Newsletter 10 (Autumn 2012).
“The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect”
Critical Studies on Terrorism, 4:3 (2012).
“The abject/the terrorist/the reel Arab—a point of intersection,”
Global Media and Communication, 7:3 (2011).
“Baal and Thoth: unwelcome apparitions in J.M. Coetzee’s The Master of Petersburg and Disgrace,”
Ariel, 41:2 (2011).
“Becomings in J.M. Coetzee’s
Waiting for the Barbarians and José Saramago’s
Blindness,”
Comparative Literature Studies, 47:1 (2010).
Chapters:
“Virtual Space: Palestinians negotiate a lost homeland in film,” in
Reimagining Communication:
Experience, Eds. Michael Filimowicz, Veronika Tzankova, New York: Routledge (2020).
“Resisting the cul-de-sac in
Disgrace,
Master of Petersburg and
Life & Times of Michael K,” in
J.M. Coetzee: Dead Ends and Beyond, Eds. Ludmiła Gruszewska-Blaim, Tomasz Wiśniewski, Gdansk, Poland: Wydawnictwo Uniwersytetu Gdanskiego (2016).
“Let the Demon in: Death and Guilt in
The Master of Petersburg ,” in
Travelling Texts: J.M. Coetzee and Other Writers , Eds. Kucala, Bozena and Robert Kusek, Oxford: Peter Lang International Academic Publishers (2014).
“Not to Get Lost in the Loss”: Narrating the story in Barghouti’s
I was born there, I was born here and in Rohan’s
The Olive Grove—A Palestinian Story,” Culture of Rites/Rights of Grief Eds. Zbigniew Biał as, Paweł Ję drzejko and Julia Szoł tysek, Newcastle upon Tyne: Cambridge Scholars Publishing. Wygnanie jako trwał e rozdarcie. „Ż ycie i czasy Michaela K” oraz wspomnienia Mahmouda Darwisha.” In Wielcy artyści ucieczek. Antologia tekstów o Życiu i czasach Michaela K Johna Maxwella Coetzeego w trzydziestą rocznicę publikacji powieści , edited by Piotr Jakubowski, Malgorzata Janowska, 421-442. Kraków: korporacja ha!art.
“Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?” in
Social Media Go to War : Rage, Rebellion and Revolution in the Age of Twitter Ed. Ralph D. Berenger, Marquette Books LLC.
“Barbaric Space: Portrayal of Arab Lands in Hollywood Films,” in
Popular Culture in the Middle East and North Africa : A Postcolonial Outlook. Eds. Mounira Soliman & Walid El Hamamsy, Routledge.
Books
Palestinian Culture and the Nakba: Bearing Witness (New York: Routledge, 2019).
The Politics of Humiliation in the Novels of J.M. Coetzee (New York: Routledge, 2009).