Other Publications

Journal articles:

Hania A.M. Nashef (2021) “The right to narrate”: Gazans contest popular geopolitics with film, Journal of Postcolonial Writing, DOI: 10.1080/17449855.2021.1963311

“Suppressed Nakba Memories in Palestinian female narratives: Susan Abulhawa’s The Blue Between Sky and Water and Radwa Ashour’s The Woman from Tantoura.” Interventions: International Journal of Postcolonial Studies, DOI: 10.1080/1369801X.2021.1892513

“Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks, Prose Studies (2020): DOI: 10.1080/01440357.2020.1850168

“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Quarterly Review of Film and Video (2020):
DOI: 10.1080/10509208.2020.1818531

 

“‘Nothing is Left to Tell’: Beckettian Despair and Hope in the Arab World,” Samuel Beckett Today / Aujourd’hui 31 (2019) 201–218. doi:10.1163/18757405-03102002

“Coming of Age in Troubled Times: Son of Babylon and Theeb.” Film International (2018): 16 (2): 24-32.

“Two memories: Darwish and Shehadeh recount their days under siege,”  Prose Studies: History, Theory, Criticism DOI: 10.1080/01440357.2016.1269452 (2017).

“Challenging the myth of  ‘a land without a people’: Darwish’s  Journal of Ordinary Grief and In the Presence of Absence,” The Journal of  Commonwealth Literature (2016).

“Virtuality and différance in the age of the hyperreal” Empedocles: European Journal for the Philosophy of Communication, 7:1 (2016).

“Demythologizing the Palestinian in Hany Abu-Assad’s Omar and Paradise Now,” Transnational Cinemas, 6:3 (2015).

“Specters of Doom: Saramago’s Dystopias in Blindness and The Cave,” Orbis Litterarum, 70: 3 (2015).

“أهلاً, hello and bonjour: a postcolonial analysis of Arab media’s use of code switching and mixing and its ramification on the identity of the self in the Arab world” International Journal of Multilingualism, 10:3 (2013).

“Abu Ghraib and Beyond: Torture as an Extension of the Desiring Machine” Altre Modernità 8 (2013). (Translated into Turkish in 2015 by Abdurrahman Aydin, “Ebu Gureyb ve Ötesi: Arzu Makinesinin Bir Genişlemesi Olarak İşkence,” http://www.demos.org.tr).

“Disconcerting Images: Arab Female Portrayals on Arab Television” Interventions: International Journal of Postcolonial Studies 14: 4 (2012).

“Songs and Words of the Arab Spring” Postcolonial Studies Association Newsletter 10 (Autumn 2012).

“The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect” Critical Studies on Terrorism, 4:3 (2012).

“The abject/the terrorist/the reel Arab—a point of intersection,” Global Media and Communication, 7:3 (2011).

“Baal and Thoth: unwelcome apparitions in J.M. Coetzee’s The Master of  Petersburg and Disgrace,” Ariel, 41:2 (2011).

“Becomings in J.M. Coetzee’s Waiting for the Barbarians and José Saramago’s Blindness,” Comparative Literature Studies, 47:1 (2010).

Chapters:

“Virtual Space: Palestinians negotiate a lost homeland in film,” in Reimagining Communication: Experience, Eds. Michael Filimowicz, Veronika Tzankova, New York: Routledge (2020).

“Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K,” in J.M. Coetzee: Dead Ends and Beyond, Eds. Ludmiła Gruszewska-Blaim, Tomasz Wiśniewski, Gdansk, Poland: Wydawnictwo Uniwersytetu Gdanskiego (2016).

“Let the Demon in: Death and Guilt in The Master of Petersburg ,” in Travelling Texts: J.M. Coetzee and Other Writers , Eds. Kucala, Bozena and Robert Kusek, Oxford: Peter Lang International Academic Publishers (2014).

“Not to Get Lost in the Loss”: Narrating the story in Barghouti’s I was born there, I was born here  and in Rohan’s The Olive Grove—A Palestinian Story,” Culture of Rites/Rights of Grief  Eds. Zbigniew Biał as, Paweł  Ję drzejko and Julia Szoł tysek, Newcastle upon Tyne: Cambridge Scholars Publishing. Wygnanie jako trwał e rozdarcie. „Ż ycie i czasy Michaela K” oraz wspomnienia Mahmouda Darwisha.” In Wielcy artyści ucieczek. Antologia tekstów o Życiu i czasach Michaela K Johna Maxwella Coetzeego w trzydziestą rocznicę publikacji powieści , edited by Piotr Jakubowski, Malgorzata Janowska, 421-442. Kraków: korporacja ha!art.

“Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?” in Social Media Go to War : Rage, Rebellion and Revolution in the Age of Twitter  Ed. Ralph D. Berenger, Marquette Books LLC.

“Barbaric Space: Portrayal of Arab Lands in Hollywood Films,” in Popular Culture in the Middle East and North Africa : A Postcolonial Outlook. Eds. Mounira Soliman & Walid El Hamamsy, Routledge.

Books

Palestinian Culture and the Nakba: Bearing Witness (New York: Routledge, 2019).

The Politics of Humiliation in the Novels of J.M. Coetzee (New York: Routledge, 2009).