Fabrice Lyczba
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Fabrice Lyczba deposited Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien in the group
Film Studies on Humanities Commons 6 years agoA travers l’étude de tout un ensemble de paratextes (des descriptions de tournage aux pratiques du ballyhoo), cet article entend établir la réception des films muets américains sous le mode d’une connivence que permettrait un regard spectatoriel réaliste – connivence qui retrouverait la complicité qu’exigent les manipulations narratives de…[Read more]
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Fabrice Lyczba deposited Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien in the group
Cultural Studies on Humanities Commons 6 years agoA travers l’étude de tout un ensemble de paratextes (des descriptions de tournage aux pratiques du ballyhoo), cet article entend établir la réception des films muets américains sous le mode d’une connivence que permettrait un regard spectatoriel réaliste – connivence qui retrouverait la complicité qu’exigent les manipulations narratives de…[Read more]
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Fabrice Lyczba deposited Fictions of Intimacy, and the intimacy of fiction: “Going Into People’s Houses” and the Remediation of 1920s Film Reception in the group
Film Studies on Humanities Commons 6 years agoFrom the perspective of 1920s film reception, this chapter proposes to look at Hollywood cinema’s intimacy project – the objective of ‘going into people’s houses’ (Irving Thalberg, 1927) by showing fictions of intimate everyday life. While cinema is consumed in the 1920s in a very theatrical context, it is also, and concurrently, projected…[Read more]
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Fabrice Lyczba deposited Fictions of Intimacy, and the intimacy of fiction: “Going Into People’s Houses” and the Remediation of 1920s Film Reception in the group
Cultural Studies on Humanities Commons 6 years agoFrom the perspective of 1920s film reception, this chapter proposes to look at Hollywood cinema’s intimacy project – the objective of ‘going into people’s houses’ (Irving Thalberg, 1927) by showing fictions of intimate everyday life. While cinema is consumed in the 1920s in a very theatrical context, it is also, and concurrently, projected…[Read more]
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Fabrice Lyczba deposited Spectatoritis vs. World-building: Sandbox spectatorship in American children’s silent film culture in the group
Film Studies on Humanities Commons 6 years agoThrough a document-based ethno-historical approach, this article shows how cinema in the 1920s managed to inform urban children’s games and world-building activities, contrary to contemporary assumptions from early education reformers and sociologists that informed research into children’s play. I first show how most of this research tried to pro…[Read more]
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Fabrice Lyczba deposited Spectatoritis vs. World-building: Sandbox spectatorship in American children’s silent film culture in the group
Cultural Studies on Humanities Commons 6 years agoThrough a document-based ethno-historical approach, this article shows how cinema in the 1920s managed to inform urban children’s games and world-building activities, contrary to contemporary assumptions from early education reformers and sociologists that informed research into children’s play. I first show how most of this research tried to pro…[Read more]
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Fabrice Lyczba deposited Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien on Humanities Commons 6 years ago
A travers l’étude de tout un ensemble de paratextes (des descriptions de tournage aux pratiques du ballyhoo), cet article entend établir la réception des films muets américains sous le mode d’une connivence que permettrait un regard spectatoriel réaliste – connivence qui retrouverait la complicité qu’exigent les manipulations narratives de…[Read more]
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Fabrice Lyczba deposited Fictions of Intimacy, and the intimacy of fiction: “Going Into People’s Houses” and the Remediation of 1920s Film Reception on Humanities Commons 6 years ago
From the perspective of 1920s film reception, this chapter proposes to look at Hollywood cinema’s intimacy project – the objective of ‘going into people’s houses’ (Irving Thalberg, 1927) by showing fictions of intimate everyday life. While cinema is consumed in the 1920s in a very theatrical context, it is also, and concurrently, projected…[Read more]
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Fabrice Lyczba deposited Hoaxing the Media: 1920s Film Ballyhoo and an Archaeology of Presence on Humanities Commons 6 years ago
This chapter looks at 1920s ballyhoo stunts routinely deployed in the exploitation of cinema in the US, a set of uniquely ephemeral paratexts that exist only during performance. Yet despite this inherent ephemerality, these media paratexts matter for the historically resilient mode of media presence that they propose. By analyzing these stunts and…[Read more]
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Fabrice Lyczba deposited Spectatoritis vs. World-building: Sandbox spectatorship in American children’s silent film culture on Humanities Commons 6 years ago
Through a document-based ethno-historical approach, this article shows how cinema in the 1920s managed to inform urban children’s games and world-building activities, contrary to contemporary assumptions from early education reformers and sociologists that informed research into children’s play. I first show how most of this research tried to pro…[Read more]