Horace is sometimes said to profess in the Odes a “poetics of presence”, a philosophical or aesthetic orientation that privileges the here and now. This paper examines how such an orientation toward the present might interact with the poet’s use of the future tense and especially with those future verbs that seem to postpone focal events. It is co…[Read more]

Horace is sometimes said to profess in the Odes a “poetics of presence”, a philosophical or aesthetic orientation that privileges the here and now. This paper examines how such an orientation toward the present might interact with the poet’s use of the future tense and especially with those future verbs that seem to postpone focal events. It is co…[Read more]

In Books 1-3 of the Odes, Horace makes clear a hierarchy of divinity through the structures of lyric address and distinguishes the gods and goddesses of his poetic preference from the preeminent deities of Augustan state cult. Specifically, he equivocates masterfully as he approaches Apollo and Jupiter while elevating Mercury, a minor figure in…[Read more]

In Books 1-3 of the Odes, Horace makes clear a hierarchy of divinity through the structures of lyric address and distinguishes the gods and goddesses of his poetic preference from the preeminent deities of Augustan state cult. Specifically, he equivocates masterfully as he approaches Apollo and Jupiter while elevating Mercury, a minor figure in…[Read more]