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Asa Simon Mittman's profile was updated on Humanities Commons 2 weeks, 2 days ago
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Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 in the group
Monsters and Monstrosity on Humanities Commons 1 year, 8 months ago
Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 in the group
Medieval Studies on Humanities Commons 1 year, 8 months ago
Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 in the group
Medieval Art on Humanities Commons 1 year, 8 months ago
Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, Anti-Race? The Need for Colour-Sightedness in Medieval and Renaissance Studies, in A Cultural History of Race in the Renaissance and Early Modern Age, ed. Kim Coles and Dorothy Kim, 2022 on Humanities Commons 1 year, 8 months ago
Few studies in medieval and Renaissance cartography focus on race, in part owing to the genealogical issues discussed above, and in part owing to the racist origins and practices of the disciple of art history that normalizes seeing whiteness as both default norm an universal ideal. Johann Joachim Winckelmann, the founder who gave the discipline…[Read more]
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Asa Simon Mittman deposited Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World in the group
Monsters and Monstrosity on Humanities Commons 2 years, 11 months ago
This collection examines the intersection of the discourses of “disability” and “monstrosity” in a timely and necessary intervention in the scholarly fields of Disability Studies and Monster Studies. Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history…[Read more]
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Asa Simon Mittman deposited Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World on Humanities Commons 2 years, 11 months ago
This collection examines the intersection of the discourses of “disability” and “monstrosity” in a timely and necessary intervention in the scholarly fields of Disability Studies and Monster Studies. Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history…[Read more]
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Asa Simon Mittman deposited MEARCSTAPA: TEN YEARS OF TERATOLOGY in the group
Monsters and Monstrosity on Humanities Commons 3 years, 4 months ago
Ten years ago, back in 2008, a group of scholars interested in a diverse range of cultural figures at that point in time typically marginalized as subjects for seri ous critical study-werewolves, ghosts and revenants, giants, fairies and elves, vampires, the monsters on medieval mappa mundi, in medieval texts, in man uscript marginalia, and in…[Read more]
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Asa Simon Mittman deposited The Vercelli Map in the group
The Medieval landscape/seascape on Humanities Commons 3 years, 4 months ago
The Vercelli Map, one of the largest maps to survive from the Middle Ages, has not received the attention it merits (Plate IV). This is likely the result of its very poor state of preservation, which has been a constant theme in what little has been published on it.’ There are several studies that make brief mention of the map, and a few studies…[Read more]
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Asa Simon Mittman deposited The Vercelli Map in the group
Medieval Studies on Humanities Commons 3 years, 4 months ago
The Vercelli Map, one of the largest maps to survive from the Middle Ages, has not received the attention it merits (Plate IV). This is likely the result of its very poor state of preservation, which has been a constant theme in what little has been published on it.’ There are several studies that make brief mention of the map, and a few studies…[Read more]
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Asa Simon Mittman deposited The Vercelli Map in the group
Medieval Art on Humanities Commons 3 years, 4 months ago
The Vercelli Map, one of the largest maps to survive from the Middle Ages, has not received the attention it merits (Plate IV). This is likely the result of its very poor state of preservation, which has been a constant theme in what little has been published on it.’ There are several studies that make brief mention of the map, and a few studies…[Read more]
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Asa Simon Mittman deposited Mapping Global Middle Ages, Toward a Global Middle Ages in the group
The Medieval landscape/seascape on Humanities Commons 3 years, 4 months ago
In Order to understand what a “global Middle Ages” might be, we need to define “global” in and in relation to the “Middle Ages.” To do so, I turn to medieval (Christian) maps. Their construction of the world-the most, maybe all, others-was founded on inclusion and exclusion. In seeking to construct a global Middle Ages, the authors in this volume…[Read more]
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Asa Simon Mittman deposited Mapping Global Middle Ages, Toward a Global Middle Ages in the group
Medieval Studies on Humanities Commons 3 years, 4 months ago
In Order to understand what a “global Middle Ages” might be, we need to define “global” in and in relation to the “Middle Ages.” To do so, I turn to medieval (Christian) maps. Their construction of the world-the most, maybe all, others-was founded on inclusion and exclusion. In seeking to construct a global Middle Ages, the authors in this volume…[Read more]
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Asa Simon Mittman deposited Mapping Global Middle Ages, Toward a Global Middle Ages in the group
Medieval English Literature on Humanities Commons 3 years, 4 months ago
In Order to understand what a “global Middle Ages” might be, we need to define “global” in and in relation to the “Middle Ages.” To do so, I turn to medieval (Christian) maps. Their construction of the world-the most, maybe all, others-was founded on inclusion and exclusion. In seeking to construct a global Middle Ages, the authors in this volume…[Read more]
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Asa Simon Mittman deposited MEARCSTAPA: TEN YEARS OF TERATOLOGY on Humanities Commons 3 years, 4 months ago
Ten years ago, back in 2008, a group of scholars interested in a diverse range of cultural figures at that point in time typically marginalized as subjects for seri ous critical study-werewolves, ghosts and revenants, giants, fairies and elves, vampires, the monsters on medieval mappa mundi, in medieval texts, in man uscript marginalia, and in…[Read more]
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The Vercelli Map, one of the largest maps to survive from the Middle Ages, has not received the attention it merits (Plate IV). This is likely the result of its very poor state of preservation, which has been a constant theme in what little has been published on it.’ There are several studies that make brief mention of the map, and a few studies…[Read more]
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Asa Simon Mittman deposited Mapping Global Middle Ages, Toward a Global Middle Ages on Humanities Commons 3 years, 4 months ago
In Order to understand what a “global Middle Ages” might be, we need to define “global” in and in relation to the “Middle Ages.” To do so, I turn to medieval (Christian) maps. Their construction of the world-the most, maybe all, others-was founded on inclusion and exclusion. In seeking to construct a global Middle Ages, the authors in this volume…[Read more]
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Asa Simon Mittman deposited “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112 in the group
The Medieval landscape/seascape on Humanities Commons 3 years, 10 months ago
“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112
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Asa Simon Mittman deposited “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112 in the group
Monsters and Monstrosity on Humanities Commons 3 years, 10 months ago
“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112
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Asa Simon Mittman deposited “The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112 in the group
Medieval Studies on Humanities Commons 3 years, 10 months ago
“The Other Close at Hand: Gerald of Wales and the ‘Marvels of the West,’” in The Monstrous Middle Ages, eds. Robert Mills and Bettina Bildhauer (Cardiff: University of Wales Press, 2003), 97-112
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