Other Publications
‘The Mute
E of a Listening Presence: a collaboration and interview with Corine Shawi’, in
Journal of Middle East Women’s Studies, 16:3 (2020), pp. 331-340.
https://read.dukeupress.edu/jmews/article/16/3/331/167210/The-Mute-E-of-a-Listening-PresenceA-Collaboration
‘The Auditory Imagination and the Polyphony of Listening: a study of Chantal Akerman’s
South (1999)’ in
Paragraph, 43.3 (2020)
https://www.euppublishing.com/doi/abs/10.3366/para.2020.0340
‘Hearing the Crackles in the Background: Listening and Female Intimacy in
Portrait of a Lady on Fire, in Screen Queens Blog, April 2020. Online:
https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/
‘Sounding queer collaborative acts: Chantal Akerman films Sonia Wieder-Atherton’, in
French Screen Studies 20:3-4, 2020.
https://doi.org/10.1080/14715880.2019.1693113
‘Sensory Experience, Sound and Queerness in Chantal Akerman’s
Maniac Shadows (2013)’, in
Moving Image Review and Art Journal, 8:1-2, 2019, pp. 68-81.
https://doi.org/10.1386/miraj_00006_1
‘
Vocal Landscapes: Framing Mutable Stories in De l’autre côté (2002) and Une voix dans le désert (2002)’. in: Marion Schmid, Emma Wilson (eds) Chantal Akerman: Afterlives (Oxford:
Legenda, 2019).
Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard (London and New York: I.B.Tauris, 2018).
‘Looking at the Carpet from the Wrong Side: Albertine Fox on writing Godard and Sound’ (September 2017), published on ‘The Female Gaze’ blog by the US Alliance of Women Film Journalists (
AWFJ).
‘Love and work differently: Anne-Marie Miéville’s cinema of companionship’ in
Sight and Sound Magazine (2016).
‘EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in
Sequence, 3.1, 2015. Online at:
http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/.
‘Performing Through Space: Overflow, Displacement, and the Voice in
Keep Your Right Up (Jean-Luc Godard, 1987)’, in Tom Whittaker, Sarah Wright (eds)
Locating the Voice in Film: Critical Approaches and Global Practices. Oxford University Press (USA), New York and London, pp. 279-294.
‘Constructing voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)’ in
Studies in French Cinema, 14:1 (2014).
‘Writing the Rhythms of Desire:
Le Ravissement de Lol V. Stein,
L’Amour and
L’Amant‘, in
French Studies Bulletin, A Quarterly Supplement (Society for French Studies), No. 107 Summer, 2008.
