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Specters of Doom: Saramago's Dystopias in Blindness and The Cave
- Author(s):
- Hania A.M. Nashef (see profile)
- Date:
- 2015
- Group(s):
- CLCS 20th- and 21st-Century, CLCS Classical and Modern, GS Prose Fiction, LLC 20th- and 21st-Century Spanish and Iberian, LLC Global Portuguese
- Subject(s):
- Literature, Literature--Philosophy, Literature, Modern, Portuguese literature
- Item Type:
- Article
- Tag(s):
- european literature, fiction, jose saramago, literature and philosophy, utopia, Literary theory, Literature and philosophy, Modern literature
- Permanent URL:
- http://dx.doi.org/10.17613/M6P59G
- Abstract:
- Although Plato's Utopia or ideal city is the non-place that holds the promise of perfection, it remains the place in which citizens are categorized by a rigid structure. José Saramago, on the other hand, introduces us to a dystopia in his novel Blindness, in which one event leads to the ruin of a city. Yet, as with Plato's Utopia, a similar desirable separation by the higher authorities is enacted. When a strange ailment leads to the blindness of some of the citizens, we begin to witness the disintegration of both the human and the city. In The Cave, which reverberates with Plato's “Simile of the Cave,” Saramago provides an unrelenting criticism of a city's landscape that is changed by a blind capitalist system. In this unnamed city, imitation is more valued than the real. In the simile, Plato questions what would become of the dwellers of the cave if one were to see beyond the screen. In Saramago's novel, the lone potter is the one who is able to see beyond the shadows.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- License:
- All Rights Reserved
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