• La recepción de Terencio en la temprana imprenta manual y su repercusión sobre la caracterización genérica de «Celestina»: una perspectiva visual

    Author(s):
    Amaranta Saguar García (see profile)
    Date:
    2023
    Subject(s):
    Celestina (Rojas, Fernando de)
    Item Type:
    Article
    Tag(s):
    Celestina, La Celestina, Book illustrations, History of the book, book history, Terence
    Permanent URL:
    https://doi.org/10.17613/kzkz-6p60
    Abstract:
    Celestina is linked to Terenceʼs works since its origins: not only did contemporary readers identify it as a «terentian» work, but its earliest illustrated editions are indebted to the Strasbourg: Johannes Grüninger, 1496 edition of Terence’s Comoediae. Going back to the manuscript models of the incunabula editions of Terence, in this article is discussed how the way Terence’s Comoediae were illustrated in medieval and early modern Europe influences the way Celestina was illustrated, which results in two characteristic iconographic programmes: the Burgos and the Crombergerian one. Finally, it is suggested that printers choosing one programme or another affects how they perceived and received both Terence’s Comoediae and Celestina.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    9 months ago
    License:
    Attribution-NonCommercial-ShareAlike

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