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“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin”
- Author(s):
- Melissa A. Hofmann (see profile)
- Date:
- 2021
- Subject(s):
- Aulnoy, Madame d' (Marie-Catherine), 1650 or 1651-1705, Murat, Henriette-Julie de Castelnau, comtesse de, 1670-1716, Straparola, Giovanni Francesco, approximately 1480-1557?, Women authors, French, Fairy tales, Women--Social conditions, Sex role in literature, Metamorphosis in literature, Rape in literature, Sex in literature
- Item Type:
- Article
- Tag(s):
- conte de fees, French literature
- Permanent URL:
- https://doi.org/10.17613/31m9-2e68
- Abstract:
- Comparing d’Aulnoy’s “Le Dauphin” and Murat’s “Le Turbot” relation to Straparola’s “Pietro the Fool” and to each other reveals the ways in which the conteuses’ rewriting of the tale allows for differing degrees of women’s control over (their) sexuality. D’Aulnoy and Murat both employ the trope of metamorphosis beyond their source tale’s transformation of the fool and add to the characters and plot in order to explore the issues of sexual consent, female desire and agency, and fidelity. I propose that Murat’s “Le Turbot” purposely engages “Le Dauphin” and fulfills the fairy/women writer ethos of Murat’s “Aux Fées Modernes.”
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 6 months ago
- License:
- All Rights Reserved
- Share this:
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