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Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)
- Author(s):
- Paulino Capdepon (see profile)
- Date:
- 2011
- Group(s):
- International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)
- Subject(s):
- Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832
- Item Type:
- Article
- Tag(s):
- Composer, musical composition, musical culture, Singer, theatre
- Permanent URL:
- https://doi.org/10.17613/ggv1-1h85
- Abstract:
- This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 4 months ago
- License:
- Attribution-NonCommercial
- Share this:
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mozartjahrbuch.pdf