• Why Philip Ewell’s “Music Theory and the White Racial Frame” is Fundamentally Wrong: Ignoring Inconvenient Facts

    Author(s):
    Scott Fruehwald (see profile)
    Date:
    2022
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    heinrich schenker, Schenker Controversy
    Permanent URL:
    https://doi.org/10.17613/6x6c-4615
    Abstract:
    Professor Ewell’s argument concerning a white racial frame in American music theory is fundamentally flawed because Ewell’s argument is based on the notion that Schenker’s worldview was based on biological racism, not culture, and Ewell is incorrect that Schenker’s worldview was based on biological race. In addition, Ewell hid this fact by incompletely presenting a quotation that is central to his argument (he omitted three sentences), as well as by using numerous quotes out-of-context.
    Metadata:
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    Status:
    Published
    Last Updated:
    2 years ago
    License:
    All-Rights-Granted
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