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"The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac"
- Author(s):
- Steven Swarbrick (see profile)
- Date:
- 2021
- Group(s):
- Environmental Humanities, Film Studies, Literary theory, TC Ecocriticism and Environmental Humanities, TC Science and Literature
- Subject(s):
- Motion pictures, Ecocriticism, Animals--Study and teaching, Critical theory, Queer theory, Natural history
- Item Type:
- Article
- Tag(s):
- Film, Critical animal studies, Gender and sexualities, Formalism, Gender and sexuality
- Permanent URL:
- http://dx.doi.org/10.17613/5h6h-fr51
- Abstract:
- Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
- Metadata:
- xml
- Published as:
- Journal article Show details
- Journal:
- Cultural Critique
- Volume:
- 113
- Page Range:
- 131 - 161
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- All Rights Reserved
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"The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac"