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Hard Translation: Persian Poetry and Post-National Literary Form (2018)
- Author(s):
- Rebecca Ruth Gould (see profile)
- Date:
- 2021
- Group(s):
- Global Literary Theory, Literary theory, Literary Translation, Persian and Persianate Studies, Translation Studies
- Subject(s):
- Iranians, Criticism, Interdisciplinary approach to knowledge, Literature--Study and teaching, Interdisciplinary approach in education, Translating and interpreting, Poetry--Translating
- Item Type:
- Article
- Tag(s):
- translation and mistranslation, translation technique, Hafez, Iran, Persian, Interdisciplinary literary criticism, Interdisciplinary literary studies, Translation, Translation of poetry, Translation studies
- Permanent URL:
- http://dx.doi.org/10.17613/zhet-qk77
- Abstract:
- This essay examines how translation theory can globalize contemporary literary comparison. Whereas Persian studies has historically been isolated from the latest developments within literary theory, world literature has similarly been isolated from the latest developments within the study of non-European literatures. I propose the methodology of hard translation as a means of addressing these lacunae. As it was practised among Chinese and German translation theorists in the early decades of the twentieth century, hard translation is a method that incorporates translation in the form of exegesis, while preserving traces of the source language in the target language. Coined in 1929 by the Chinese critic, writer and translator Lu Xun amid the ferment stimulated by the May Fourth movement, hard translation (yingyi) is here considered alongside Walter Benjamin's cognate and contemporaneous arguments for translation in a context of linguistic incommensurability.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- All Rights Reserved
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