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"Five themes in Asian Shakespeare adaptations," Oxford University Press blog, February 16, 2021
- Author(s):
- Alexa Alice Joubin (see profile)
- Date:
- 2021
- Group(s):
- CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
- Subject(s):
- Shakespeare, William, 1564-1616, Literature--Adaptations, East Asia, Area studies, Race, Performance art--Study and teaching
- Item Type:
- Blog Post
- Tag(s):
- Adaptation Studies, Global Shakespeare, East Asian studies, Gender, Film studies, Performance studies, Translation studies
- Permanent URL:
- http://dx.doi.org/10.17613/jmnk-tq90
- Abstract:
- Since the nineteenth century, stage and film directors have mounted hundreds of adaptations of Shakespeare drawn on East Asian motifs, and by the late twentieth century, Shakespeare had become one of the most frequently performed playwrights in East Asia. There are five striking themes surrounding cultural, racial, and gender dynamics. Gender roles in the play take on new meanings in translation, and familiar and unfamiliar accents expanded the characters’ racial identities.
- Notes:
- https://blog.oup.com/2021/02/five-themes-in-asian-shakespeare-adaptations/
- Metadata:
- xml
- Published as:
- Online publication
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- Attribution-NonCommercial-NoDerivatives
- Share this:
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