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"Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261
- Author(s):
- Alexa Alice Joubin (see profile)
- Date:
- 2020
- Group(s):
- CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
- Subject(s):
- Shakespeare, William, 1564-1616, Globalization, Race, Literature--Adaptations, Censorship, Translating and interpreting, Feminism
- Item Type:
- Book chapter
- Tag(s):
- Shakespeare, Queer and gender studies, Adaptation, Global Shakespeare, Translation, Reception studies
- Permanent URL:
- http://dx.doi.org/10.17613/jsrc-h871
- Abstract:
- Global studies enable us to examine deceivingly harmonious images of Shakespeare. This chapter focuses on the modern period and introduces readers to a number of key concepts in Shakespeare and global studies, namely censorship and redaction, genre, gender, race, and politics of reception. Performing Shakespeare not only creates channels between geographic spaces but also connects different time periods. Therefore, in modern times, global Shakespeares have been recruited as a transhistorical and intercultural practice to revitalize performance genres, exemplified or resisted as a colonial appendage or rhetoric and admired as a centrepiece in an exotic display.
- Notes:
- https://www.bloomsbury.com/us/the-arden-research-handbook-of-contemporary-shakespeare-criticism-9781350093225/
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution-NonCommercial-ShareAlike
- Share this:
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