• Probstücke Digital

    Author(s):
    Niels Pfeffer
    Contributor(s):
    Klaus Rettinghaus
    Editor(s):
    Elsa De Luca (see profile) , Julia Flanders
    Date:
    2020
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Music, Digital humanities, Text Encoding Initiative
    Item Type:
    Conference proceeding
    Conf. Title:
    Music Encoding Conference 2020
    Conf. Org.:
    Tisch Library, Tufts University
    Conf. Loc.:
    Online
    Conf. Date:
    26-29 May 2020
    Tag(s):
    mei, Music encoding, digital edition, iiif, TEI
    Permanent URL:
    http://dx.doi.org/10.17613/r8pk-6e15
    Abstract:
    In 1731, Johann Mattheson writes in the preface to the Große Generalbass-Schule: “The complaint, however, which I made in the first edition of this Organisten-Probe about the badly printed notes, is still in its full strength, and patience is the only remedy.” Probstücke Digital is an open and critical digital edition project of the 24 test pieces of the Ober-Classe (“upper class”) by Johann Mattheson and as such an example for the use and application of MEI and TEI in an integrated environment. After almost 300 years it also seeks to finally give remedy to Mattheson’s complaint by editing his Probstücke and by providing perhaps a little more than merely “prettifying” the original print.
    Notes:
    The MEC 2020 conference was originally to be hosted at Tisch Library and Lilly Music Library of Tufts University on the Medford, MA campus. It is co-sponsored with the Department of Music at Tufts, Digital Scholarship Group at Northeastern University Library, and MIT Digital Humanities.
    Metadata:
    xml
    Status:
    Published
    Last Updated:
    3 years ago
    License:
    Attribution-NonCommercial-NoDerivatives
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