• Copy This Class (The Art of the Remix)

    Author(s):
    Julie Levin Russo
    Editor(s):
    Kim Middleton
    Date:
    2020
    Subject(s):
    Authorship
    Item Type:
    Syllabus
    Tag(s):
    DPiH, DPiH Remix, DPih Syllabus, Practice, Assignment, Video, Forking, Labor, Digital pedagogy, Collaboration, Play, Film studies
    Permanent URL:
    http://dx.doi.org/10.17613/vyqd-c226
    Abstract:
    Curatorial note from Digital Pedagogy in the Humanities: Julie Levin Russo’s undergraduate film studies course takes remix as its central topic. Through the assigned reading, media, and experiences each week, students are introduced to remix from a historical perspective and a philosophical one. Russo’s course plays through an array of contexts that highlight the variety and complexity of remix as object and as a set of practices (e.g., appropriation, authorship, sampling, “playbor”—a combination of play and labor). Collaborative student remix projects comprise a significant portion of the semester, making evident the core value of participation and peer engagement in remix culture. Finally, in a knowing wink to our own habits of syllabus composition, Russo cites the syllabi and assignments that she has remixed to create this course.
    Notes:
    This deposit is part of Digital Pedagogy in the Humanities. Digital Pedagogy in the Humanities is a peer-reviewed, open-access publication edited by Rebecca Frost Davis, Matthew K. Gold, Katherine D. Harris, and Jentery Sayers, and published by the Modern Language Association. https://digitalpedagogy.hcommons.org/.
    Metadata:
    xml
    Status:
    Published
    Last Updated:
    3 years ago
    License:
    Attribution-ShareAlike
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