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Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel
- Author(s):
- Miklos Mezosi (see profile)
- Date:
- 2003
- Subject(s):
- Russian literature, Nineteenth century, Literary form, Literary theory, Poetics, Pushkin, Aleksandr Sergeevich, 1799-1837
- Item Type:
- Article
- Tag(s):
- Genre poetics, Russian drama, 19th-century Russian literature, Genre theory, Pushkin
- Permanent URL:
- http://dx.doi.org/10.17613/mfrm-5m83
- Abstract:
- In this paper I aim at drawing attention to one of the specific characteristics of Puškinian dramaturgy encountered in the poet’s ‘romantic tragedy’, Boris Godunov. By doing so, not only shall we be able to come across new points for the interpretation of the play or gain further insight into its genesis but we will also be able to get nearer to answering some of the questions about the after-life of Boris Godunov. This is likely to help us localize the Puškinian ‘historical drama’ in the chronotopics of literary history.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Publisher:
- University of Debrecen
- Pub. Date:
- 2003
- Journal:
- Slavica
- Volume:
- 32
- Page Range:
- 165 - 173
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
- Share this:
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Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel