• Zene, szó, dráma – színjátékok és szín(e)változások. A történelem szemantikája Puskin és Muszorgszkij művészi szkepszisében / Music, Word, Drama – Stagecraft and Transfigurations. The Semantics of History in the Artistic Skepticism of Pushkin and Musorgsky

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2006
    Subject(s):
    Opera, History, Musical analysis, Music and literature, Semiotics
    Item Type:
    Book
    Tag(s):
    Comparative studies, History of opera, Music analysis
    Permanent URL:
    http://dx.doi.org/10.17613/ka8h-mh07
    Abstract:
    Offering a close reading of Pushkin's Boris Godunov and Musorgsky's Khovanshchina, “Music—Word—Drama” explores the ways these plays have modified the “evolution line” of drama in the Western tradition. He illuminates the genre of chronicle plays in terms of poetical structure and composition. Russian dramatic chronicles, never before discussed as one corpus, are integrated in a concept of genre poetics. A full biblio- & musicography is provided at the end of the book.
    Metadata:
    Published as:
    Book    
    Status:
    Published
    Last Updated:
    4 years ago
    License:
    All Rights Reserved
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