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Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch
- Author(s):
- Sara Bowden (see profile)
- Date:
- 2019
- Group(s):
- Society for Music Theory – Popular Music Interest Group
- Subject(s):
- Interactive multimedia, Video game music, Research
- Item Type:
- Thesis
- Institution:
- Northwestern University
- Tag(s):
- interactive media, Ludomusicology
- Permanent URL:
- http://dx.doi.org/10.17613/qpb0-va43
- Abstract:
- Black Mirror’s Bandersnatch has brought interactive film to the forefront of ludo-entertainment discourse. Released through the Netflix entertainment platform in December 2018, the film features a non-linear script that the viewer guides through a series of choices. By virtue of design, Bandersnatch places a larger emphasis on narratological elements of the interactive experience than gameplay. This paper deconstructs narrative transformations as modeled by David Lewin’s connected-operation network model, functions of music in interactive media, and morality in mediatized spaces for a comprehensive close reading of Bandersnatch as writer Charlie Brooker’s commentary on free will.
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
- Share this:
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Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch