• "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2019
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism
    Item Type:
    Book chapter
    Tag(s):
    King Lear, digital archive, Beijing opera, Peter Brook
    Permanent URL:
    http://dx.doi.org/10.17613/4ax8-vn79
    Abstract:
    As a work that survives and appears in more than one form, King Lear has a vexing problem of interpretation and a rich opportunity for the study of textual and cultural variants. The play begins with an aging monarch staging a fantastical, paradoxical final act as a king. It lures us toward a final act of interpretation to nail down the nature of the sufferings and yet fails to provide any sense of closure. Are Lear’s “evil daughters” implicated as a source of the tragedy of King Lear that has been said to be coded masculine? Does Cordelia’s hanging enhance the tragic pathos surrounding her journey, or does it help to highlight the senseless male suffering? How does Lear speak to cultures far removed11politically and historically from early modern England, and make certain themes of contemporary cultural life more legible, such as generational gap, filial piety, and loyalty and duty? The play’s history of reception and criticism is informed by a perceived ethical burden – as a human responsibility to each other and to cultural otherness—to explain Lear’s problems away or legitimize the characters’ suffering and the tragic pathos of the play. Digital tools help us make necessary links between the analogue and digital worlds, and between different iterations of the human experience. While there is much discussion of a mediated Shakespeare in the mediascape (such as YouTube) and while there is an increasing number of apps with some video content, video-centric teaching platforms have remained marginal to pedagogical and critical inquiries.
    Notes:
    https://www.cambridge.org/us/academic/subjects/literature/renaissance-and-early-modern-literature/shakespeare-screen-king-lear?format=HB https://www.researchgate.net/profile/Alexa_Joubin
    Metadata:
    Published as:
    Book chapter    
    Status:
    Published
    Last Updated:
    5 months ago
    License:
    Attribution-NonCommercial-ShareAlike
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