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Gendai Haiku and Meaning in Ban’ya Natsuishi’s Hybrid Paradise
- Author(s):
- Ádám Tamás Bogár (see profile)
- Date:
- 2018
- Subject(s):
- Japanese literature, Japanese--Social life and customs, History, Modern, Poetry--Translating
- Item Type:
- Book chapter
- Tag(s):
- Haiku, Ban'ya Natsuishi, Gendai haiku, H21, Modern and contemporary Japanese literature and culture, Poetry in translation, Contemporary poetry, Neo-avant-garde poetry
- Permanent URL:
- http://dx.doi.org/10.17613/fxem-2m34
- Abstract:
- This brief essay is about an understanding of the essence of modern (or rather postmodern) haiku, and it is meant to offer an explanation as to the reason why such haiku, in particular those by Japanese haiku poet Ban’ya Natsuishi, are frequently deemed incomprehensible. The term ‘modern’ (or ‘postmodern’) haiku here does not refer to haiku written in recent times, it is not a chronological descriptor; instead, it refers to a specific subgenre of haiku poetry usually called gendai haiku. Bogar considers Ban’ya Natsuishi’s volume of haiku Hybrid Paradise (2010), focusing specifically (and exclusively) on some meaning-related qualities of haiku.
- Metadata:
- xml
- Published as:
- Book chapter Show details
- Publisher:
- Cyberwit
- Pub. Date:
- 2018
- Book Title:
- The Poetic Achievement of Ban’ya Natsuishi (2nd ed.)
- Author/Editor:
- Santosh Kumar
- Page Range:
- 29 - 35
- ISBN:
- 9789388125093
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- Attribution-NonCommercial-ShareAlike
- Share this:
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