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Hughes, Cullen, and the In-sites of Loss
- Author(s):
- Marisa Parham (see profile)
- Date:
- 2007
- Group(s):
- LLC African American, TC Memory Studies, TM Literary and Cultural Theory
- Subject(s):
- American literature--African American authors, American poetry--African American authors, American literature, Nineteenth century, Twentieth century, Twenty-first century, Harlem Renaissance, Kristeva, Julia, 1941-, Poetics, Poetry, Psychoanalysis
- Item Type:
- Article
- Tag(s):
- Helene Johnson, Hortense Spillers, Jacques Lacan, Melvin Dixon, African American literature, African American poetry, American literature after 1800, Julia Kristeva, Literary theory
- Permanent URL:
- http://dx.doi.org/10.17613/6jmb-9g39
- Abstract:
- This essay explores how Pierre Nora's sites of memory work a specific cultural function through what Melvin Dixon refers to as "a memory that ultimately rewrites history." I look at two of the most well-known poems of the Harlem Renaissance, Langston Hughes's "The Negro Speaks of Rivers" and Countee Cullen's "Heritage," one of which reveals a vested interest in producing identity by turning to the body as a locus of cultural memory, while the other ostensibly seeks to dismantle what it articulates as a fundamentally nostalgic and politically dangerous structuration of memory. The essay ends with the Harlem Renaissance poet Helene Johnson, who offers an embodied and emboldened approach to thinking about memory in the present.
- Notes:
- This version was generated from a PDF source. Please note that there might be irregularities in capitalization and typesetting.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
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hughes-cullen-elh.pdf