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A Sense of the Ending: Does Malcolm Earn It?
- Author(s):
- Michael L. Hays (see profile)
- Date:
- 2011
- Group(s):
- Renaissance / Early Modern Studies, Shakespeare
- Subject(s):
- Shakespeare, William, 1564-1616
- Item Type:
- Conference paper
- Conf. Title:
- 39th Conference of the Shakespeare Association of America
- Conf. Org.:
- Shakespeare Association of America
- Conf. Date:
- 2011
- Tag(s):
- Macbeth, Shakespeare, Literary criticism
- Permanent URL:
- http://dx.doi.org/10.17613/M6BC3SW67
- Abstract:
- This presentation asks whether Macbeth ends literally, as traditional criticism has viewed it, or ironically, as modern criticism would have it. Its answer emphasizes Malcolm’s role by detailing the Court Scene, which tests Malcolm, not MacDuff, to establish his character, legitimacy, and competence to rule. It shows this scene as a turning point similar to turning points in English chivalric romances. As they end in celebration, so Macbeth ends in celebrating the restoration of right rule.
- Notes:
- This paper is one of three on Macbeth. Each paper emphasizes Act III, scene iv, or, as I call it, the Court Scene, as critical to an understanding of Malcolm, his important position in the theme of succession, and the exile-and-return structure of the play.
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- All Rights Reserved
- Share this:
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