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Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor
Author(s):
Eric Dunnum
(see profile)
Date:
2012
Item Type:
Article
Tag(s):
Early modern drama
,
Renassance drama
,
Riots
Permanent URL:
http://dx.doi.org/10.17613/M61Z7R
Abstract:
This paper argues that Massinger's The Roman Actor attempts to construct stage performance as non-effective in reaction to the riotous actions of early modern London audiences.
Metadata:
xml
Published as:
Journal article
Show details
Pub. DOI:
10.1353/cdr.2012.0046
Publisher:
Johns Hopkins University Press
Pub. Date:
2012-12-23
Journal:
Comparative Drama
Volume:
46
Issue:
4
Page Range:
517 - 543
ISSN:
1936-1637
Status:
Published
Last Updated:
6 years ago
License:
All Rights Reserved
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