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The Home that the Woman’s Building Built: Cheri Gaulke and Sue Maberry Construct a Visual Narrative of the Lesbian Family
- Author(s):
- Anne Swartz (see profile)
- Editor(s):
- Margo Hobbs
- Date:
- 2010
- Subject(s):
- Feminism and art, History, Art
- Item Type:
- Article
- Tag(s):
- Queer and feminist performance, Feminist art history, Art history
- Permanent URL:
- http://dx.doi.org/10.17613/M6T26J
- Abstract:
- Artists Cheri Gaulke and Sue Maberry’s feminist activism learned at the Woman’s Building, combined with their lesbianism, radi-calized them to create ongoing documentation of their family. This article examines how Gaulke has intertwined her domestic, private imagery and narrative with her artistic, public work in a way that reveals a useful mode for her to examine the range of experiences as lesbian, parent, and artist. Thus, these two bodies of work co-exist and inform each other in her oeuvre and in her art with partner Maberry. They have created a kind of sexualized display sometimes inverting heteronormative conventions while other times presenting the family as a single unit, transgressive in its happiness and unity.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. Date:
- 2010
- Journal:
- Journal of Lesbian Studies
- Volume:
- 14
- Page Range:
- 201 - 237
- Status:
- Published
- Last Updated:
- 6 years ago
- License:
- All Rights Reserved
- Share this:
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The Home that the Woman’s Building Built: Cheri Gaulke and Sue Maberry Construct a Visual Narrative of the Lesbian Family