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Symbolic Innovation: The Notation of Jacob de Senleches
- Author(s):
- Jason Stoessel (see profile)
- Date:
- 1999
- Subject(s):
- Twelfth century, Thirteenth century, Fourteenth century, Music, Middle Ages, History, Musical notation
- Item Type:
- Article
- Tag(s):
- Ars subtilior, Editing early music, Jacob de Senleches, Music Paleography, 11th to 14th century, Medieval music, Music history, Notation
- Permanent URL:
- http://dx.doi.org/10.17613/M6B232
- Abstract:
- Certain unusual figures in the notation of Senleches's music have determinate relative duration. Their forms were based on French, not Italian, principles. The figures are context dependent, being directly linked with the mensuration in effect. Senleches's notation shares some characteristics with that of Rodericus, which suggests that there was a connection between these composers who used what had become an extremely rare set of conventions and note forms.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. DOI:
- 10.2307/932672
- Pub. Date:
- 1999
- Journal:
- Acta Musicologica
- Volume:
- 71
- Issue:
- 2
- Page Range:
- 136 - 164
- ISSN:
- 0001-6241
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- All Rights Reserved
- Share this:
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