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Representation of Indian diasporic female subjectivities in women’s diasporic cinema
- Author(s):
- Melanie Le Forestier (see profile)
- Date:
- 2015
- Group(s):
- Feminist Humanities, Film Studies
- Subject(s):
- Asian diaspora, Culture--Study and teaching, Women's studies
- Item Type:
- Article
- Tag(s):
- Diasporic cinema, Indian cinema, Subaltern studies, Women empowerment, Cultural studies, Film studies, Indian culture
- Permanent URL:
- http://dx.doi.org/10.17613/M6FN60
- Abstract:
- This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context of migration from women’s points of views. Women filmmakers offer a decentering approach of the diasporic displacement in which the relation to Indian values are necessarily modified. Thus, diasporic cinema will be defined as an agent of cultural demythologisation.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Publisher:
- Presses Universitaires de Bordeaux
- Pub. Date:
- March 2015
- Journal:
- D.E.S.I. (Diasporas, Etudes des Singularités Indiennes)
- Volume:
- 3
- Issue:
- Indian values: diaspora and womanhood
- ISSN:
- 979-10-300-0166-2
- Status:
- Published
- Last Updated:
- 6 years ago
- License:
- All Rights Reserved
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Representation of Indian diasporic female subjectivities in women’s diasporic cinema