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The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.
- Author(s):
- Murat Öğütcü (see profile)
- Date:
- 2017
- Group(s):
- CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
- Subject(s):
- Drama, European drama--Renaissance, Shakespeare, William, 1564-1616, Theater, History
- Item Type:
- Article
- Tag(s):
- Gothic, Hamlet, Reception studies, Renaissance theater, Shakespeare, Theatre and history
- Permanent URL:
- http://dx.doi.org/10.17613/M69B8D
- Abstract:
- Building on Elizabethan dramatic conventions and religious debates about ghosts, Hamlet employs linguistic and dramatic means to chill its audience. Audio-visual means, along with the manner of entrances and exits, are used in order to horrify the audience. These create a fluctuation between belief and disbelief towards the macabre elements in the play, which only heightens the fear in the audience. Thus, through these elements, gothic catharsis is achieved, which creates cathartic horror that generates fear in the audience. The overall sensory experience in the Early Modern amphitheatre in which the play was enacted had a great effect in achieving this form of catharsis. Therefore, this article aims to illustrate how Elizabethan playhouse experience affected audience reaction towards macabre elements in Hamlet in order to trigger gothic catharsis.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. DOI:
- 10.1501/Dtcfder_0000001507
- Publisher:
- Ankara University
- Pub. Date:
- 2017
- Journal:
- DTCF Journal
- Volume:
- 57
- Issue:
- 1
- Page Range:
- 138 - 156
- ISSN:
- 2459-0150
- Status:
- Published
- Last Updated:
- 6 years ago
- License:
- All Rights Reserved
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