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ASEEES Deposits
Overtone Invariants are the Framework for Musical Consonance; An Illustrated Overview
Author(s):
Joel Edelman
(see profile)
Date:
2022
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Music and Sound
,
Society for Music Theory (SMT)
Subject(s):
Music
,
Cognition
,
Music theory
Item Type:
Article
Tag(s):
consonance
,
dissonance
,
harmonic
,
overtone
,
Music cognition
,
Prosody
,
theory
Conectando con Heráclito el Oscuro
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2011
Group(s):
Literary theory
,
Philosophy
Subject(s):
Cognition
,
Poetics
,
Philosophy
Item Type:
Article
Tag(s):
Insight
,
Wit
,
Heraclitus
,
Association of ideas
,
Cognitive poetics
La realidad humana, y la realidad
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2011
Group(s):
Anthropology
,
Philosophy
Subject(s):
Cognition
,
Perception
,
Anthropology
,
Phenomenology
,
Materialism
,
Technology
Item Type:
Online publication
Tag(s):
reality
,
Relativism
,
Humans
Impresión de realidad: La percepción intelectiva en la epistemología de Zubiri
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2021
Group(s):
Anthropology
,
Linguistics
,
Narrative theory and Narratology
,
Philosophy
Subject(s):
Perception
,
Philosophy
,
Cognition
,
Neurosciences--Philosophy
Item Type:
Article
Tag(s):
Xavier Zubiri
,
Intellection
,
Schemata
,
Epistemology
,
Philosophy of neuroscience
Prospección, Retrospección, Retroproyección, Retroalimentación
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2011
Group(s):
Anthropology
,
Narrative theory and Narratology
,
Philosophy
Subject(s):
Consciousness
,
Philosophy of mind
,
Semiotics
,
Cognition
Item Type:
Online publication
Tag(s):
Understanding
,
Feedback
,
cybernetics
,
Representation
,
Narratology
Viendo el mundo con la mente
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2021
Group(s):
Anthropology
,
Digital Humanists
,
Environmental Humanities
,
Literary theory
,
Philosophy
Subject(s):
Philosophy
,
Phenomenology
,
Cognition
,
Psychology
Item Type:
Article
Tag(s):
George Berkeley
,
reality
,
experience
,
Epistemology
,
Constructivism
Arqueología del lenguaje y del pensamiento
Author(s):
José Angel GARCÍA LANDA
(see profile)
Date:
2021
Group(s):
Anthropology
,
Historical theory and the philosophy of history
,
Historiography
,
Narrative theory and Narratology
Subject(s):
Language and languages
,
Cognition
,
Consciousness
,
Evolution
Item Type:
Article
Tag(s):
Cognition
,
Origin of language
,
Hominization
,
Language
,
Embodied cognition
,
Evolution of consciousness
,
Prehistory
How Do Audiences Act?
Author(s):
Ellen Spolsky
(see profile)
Date:
2018
Group(s):
MS Visual Culture
,
TC Cognitive and Affect Studies
Subject(s):
French literature
,
Renaissance
,
Cognition
,
Figures of speech
Item Type:
Book chapter
Tag(s):
kinesis in literature
,
embodiment and rhetoric
,
Renaissance English literature
,
Renaissance French literature
,
Embodied cognition
Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak
(see profile)
Date:
2016
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music
,
Cognition
,
Music theory
Item Type:
Book review
Tag(s):
Music cognition
,
Embodied cognition
Review of The Self Edited by Constantine Sedikides and Steven J Spencer
Author(s):
Subhasis Chattopadhyay
(see profile)
Editor(s):
Swami Narasimhananda
Date:
2020
Subject(s):
Cognition
,
Kierkegaard, Søren, 1813-1855
Item Type:
Book review
Tag(s):
Cognition Studies
,
Neurohumanities
,
Neuroscience
Musical Quotation and the ‘Use-Mention’ Distinction
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Analytic Philosophy
Subject(s):
Aesthetics
,
Analysis (Philosophy)
,
Music
,
Cognition
Item Type:
Article
Tag(s):
quotation
,
Analytical philosophy
,
Classical music
,
Music cognition
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
,
Music cognition
Neanderthal for Sapiens
Author(s):
Glen M Golub
(see profile)
Date:
2019
Group(s):
Anthropology
,
Archaeology
,
Cultural Studies
,
History
,
History of Art
Subject(s):
Cognition
,
Rock paintings
,
Myth
Item Type:
Thesis
Tag(s):
neanderthal
,
cognition
,
Cultural analytics
,
Embodied cognition
,
Typography
,
Rock art
Musical Style Affects the Strength of Harmonic Expectancy.
Author(s):
Bryn Hughes
(see profile)
,
Dominique T. Vuvan
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music
,
Cognition
,
Popular music
Item Type:
Article
Tag(s):
rock harmony
,
Music cognition
,
Popular Music Studies
One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford
(see profile)
Date:
2019
Group(s):
Society for Music Theory
,
Society for Music Theory – Jazz Interest Group
Subject(s):
Race relations--Study and teaching
,
Ethnology--Study and teaching
,
Critical theory
,
Cognition
,
Jazz--Instruction and study
,
Musical analysis
,
Music theory
Item Type:
Dissertation
Tag(s):
AACM
,
Analysis
,
experimental music
,
Improvisation
,
Critical race and ethnic studies
,
Embodied cognition
,
Jazz studies
,
Music analysis
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory
Subject(s):
Music theory
,
Musicology
,
Cognition
,
Phenomenology
Item Type:
Book
Tag(s):
Embodied cognition
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition
Author(s):
David Mosher
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz--Instruction and study
,
Music
,
Cognition
,
Music theory
,
Teaching
Item Type:
Dissertation
Tag(s):
jazz aural skills
,
jazz ear-training
,
music cognition and perception
,
music theory pedagogy
,
statistical learning
,
Jazz studies
,
Music cognition
,
Pedagogy
Passions, Emotions and Cognition in the Long Eighteenth-Century Literature in England
Editor(s):
Flavio Gregori
(see profile)
Date:
2017
Group(s):
CLCS 18th-Century
,
LLC 17th-Century English
,
LLC Late-18th-Century English
,
LLC Restoration and Early-18th-Century English
,
The 18th- and 19th-Century British Women Writers Association
Subject(s):
English literature
,
Eighteenth century
,
British--Social life and customs
,
British literature
,
Cognition
Item Type:
Online publication
Tag(s):
Passions
,
Emotions in literature
,
18th-century English literature
,
18th-century British culture
,
18th-century British literature
,
Embodied cognition
Mind, Body and Spirit in Basket Divination: An Integrative Way of Knowing
Author(s):
Sonia Silva
(see profile)
Date:
2014
Group(s):
Anthropology
,
Indigenous Studies
,
Religious Studies
Subject(s):
Cognition
,
Religion
,
History
,
Ritual
Item Type:
Article
Tag(s):
Divination
,
knowledge
,
Embodied cognition
,
Embodiment
,
Epistemology
,
History of religions
Perception, Pitch, and Musical Chords
Author(s):
Mark Yeary
(see profile)
Date:
2011
Subject(s):
Music theory
,
Music
,
Cognition
Item Type:
Dissertation
Tag(s):
Music cognition
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