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Atossa’s Dream Yoking Music and Dance, Antiquity and Modernity in Maurice Emmanuel’s Salamine (1929)
Author(s):
Samuel Dorf
(see profile)
Date:
2012
Subject(s):
Musicology
,
Dance
,
History
,
Ballet
,
Opera
,
Aeschylus
Item Type:
Article
Tag(s):
Maurice Emmanuel
,
Debussy
,
Dance history
“Eroticizing Antiquity: Madame Mariquita, Régina Badet and the Dance of the Exotic Greeks from Stage to Popular Press”
Author(s):
Samuel Dorf
(see profile)
Date:
2015
Subject(s):
Musicology
,
Dance
,
History
,
Fashion
,
Ballet
Item Type:
Book chapter
Tag(s):
Costume
,
Dance history
,
Classics
,
Gender and sexualities
,
Eroticism
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard
(see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet
,
Music
,
France
,
Musical analysis
,
Musicology
,
Narration (Rhetoric)
,
Literature--Theory, etc.
Item Type:
Thesis
Tag(s):
Daphnis & Chloe
,
Maurice Ravel
,
Musical narrative
,
Music and gender
,
Schenkerian analysis
,
French music
,
Music analysis
,
Narrative theory
Review: Stravinsky's “Pulcinella”: A Facsimile of the Sources and Sketches, edited by Maureen A. Carr . Music in Facsimile (A-R Editions). Middleton, WI : A-R Editions , 2010 . ix, 433 pp.; CD-ROM .Nijinsky's Bloomsbury Ballet: Reconstruction of the Dance and Design of “Jeux,”by Millicent Hodson . The Wendy Hilton Dance & Music Series 12 . Hillsdale, NY : Pendragon , 2008 . xviii, 298 pp .
Author(s):
Samuel Dorf
(see profile)
Date:
2017
Subject(s):
Twentieth century
,
Ballet
,
Musicology
,
Russia
,
Area studies
Item Type:
Book review
Tag(s):
Ballets Russes
,
Debussy
,
Nijinsky
,
Stravinsky
,
20th century
,
Russian studies
'Man is the Measure': The Individual and the Tribe in Modernist Representations of the Primitive
Author(s):
Victoria Addis
(see profile)
Date:
2016
Group(s):
British History
,
Performance Studies
Subject(s):
Ballet
,
British literature
,
Primitivism
Item Type:
Article
Tag(s):
#Forster
,
#Freud
,
#Stravinsky
,
modernism
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