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“What Thoughts I Have of You Tonight, Walt Whitman” Continuity and Innovation in Allen Ginsberg’s “Howl”
Author(s):
Zélia Catarina Pedro Rafael
(see profile)
Date:
2019
Group(s):
American Literature
,
Beat Generation Studies
,
Graduate Students
,
GS Poetry and Poetics
,
TM The Teaching of Literature
Subject(s):
American poetry
,
Nineteenth century
,
Twentieth century
,
Beat literature
,
Humanism
,
Poetry
,
Whitman, Walt, 1819-1892
Item Type:
Essay
Tag(s):
Allen Ginsberg
,
Continuity
,
solidarity
,
19th-century American poetry
,
20th-century American poetry
,
Social critique
,
Walt Whitman
“What Thoughts I Have of You Tonight, Walt Whitman” Continuity and Innovation in Allen Ginsberg’s “Howl”
Author(s):
Zélia Rafael
(see profile)
Date:
2019
Group(s):
American Literature
,
Poetics and Poetry
,
Sound Poetry
Subject(s):
American poetry
,
Nineteenth century
,
Twentieth century
,
Beat literature
Item Type:
Article
Tag(s):
19th-century American poetry
,
20th-century American poetry
Ted Joans in White Beat Context
Author(s):
Dorothy Tsuruta
(see profile)
Date:
2020
Subject(s):
Human rights
,
Literature
,
Women's studies
,
Women--Sexual behavior
,
Blacks--Study and teaching
,
Beat literature
Item Type:
Article
Tag(s):
black lives matter
,
Literature and human rights
,
Women's gender
,
and sexuality studies
,
Black studies
'You Can't Flow Over This': Ursula Rucker's Acoustic Illusion
Author(s):
Marisa Parham
(see profile)
Date:
2007
Group(s):
LLC 20th- and 21st-Century American
,
LLC African American
,
TC Popular Culture
Subject(s):
Hip-hop
,
American poetry--African American authors
,
Beat literature
,
Popular culture
,
Blacks--Social life and customs
Item Type:
Book chapter
Tag(s):
The Roots
,
Bob Kaufman
,
Foxy Brown
,
Rape Culture
,
Blaxsploitation
,
Hip Hop
,
Hip-hop studies
,
African American poetry
,
Black popular culture
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