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• Model of Disorder: the story of Alternative First Folios

  Author(s):

  Gabriel Ready (see profile)

  Date:

  2020

  Group(s):

  Shakespeare

  Subject(s):

  Authorship, Bibliography, Playwriting, Printing, Shakespeare, William, 1564-1616

  Item Type:

  Report

  Tag(s):

  First Folio, Shakespeare authorship, Playwrighting and authorship, Shakespeare

  
  

• Two-Act In-Progress Play: Nobody goes to Gary

  Author(s):

  Gloria Lee McMillan (see profile)

  Date:

  2018

  Group(s):

  Ecocriticism, Economics & Literature, GS Drama and Performance, RCWS Creative Writing, Urban Cultural Studies

  Subject(s):

  Playwriting, Industrial sociology, Satire, Drama

  Item Type:

  Other

  Tag(s):

  tragi-comedy, Economics of Culture, Urban creativity

  
  

• "It Happens in Ballads": Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Ballads, Drama, Folk music, Playwriting, Theater

  Item Type:

  Book chapter

  Tag(s):

  Balladry, Dramatic literature

  
  

• Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Theater, Drama, Playwriting, Music, Scotland

  Item Type:

  Book chapter

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Mythology, Greek, Playwriting, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Roman drama, Greek mythology, Theatre and politics

  
  

• China Doll: A Conversation with Marjorie Chan

  Author(s):

  Antje Budde, Jacqueline Taucar (see profile)

  Date:

  2011

  Group(s):

  Performance Studies

  Subject(s):

  Canada, Area studies, Ethnology, Intercultural communication, Theater, History, Modern, Playwriting

  Item Type:

  Interview

  Tag(s):

  A Doll's House (Adaptation), chinese diaspora, Henrik Ibsen, intercultural theatre, performativity, Canadian studies, Modern theatre

  
  

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