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• Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler

  Author(s):

  Joseph Dunne-Howrie (see profile)

  Date:

  2021

  Group(s):

  CityLIS, Digital Humanists, Library & Information Science, Performance Studies

  Subject(s):

  Theater--Political aspects, Democracy--Philosophy

  Item Type:

  Article

  Tag(s):

  theatre, Brexit, infosphere, Theatre and politics, Digital culture, Politics of digital surveillance, Democratic theory

  
  

• Greek Tragedy, Agonistic Space, and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Theater, History, Theater--Political aspects, Theater and society, Drama, Greek drama, Latin drama, Greek drama (Tragedy)

  Item Type:

  Article

  Tag(s):

  chorus, agonism, Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space

  
  

• Trans-Participation in the Infosphere

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2019

  Group(s):

  CityLIS, Digital Humanists, Library & Information Science, Performance Studies

  Subject(s):

  Theater, History, Theater--Political aspects, Library science, Information science

  Item Type:

  Conference paper

  Tag(s):

  infosphere, Immersive Theatre, Audience Participation, Theatre and history, Theatre and politics, Library and information science, Digital culture

  
  

• Václav Havel

  Author(s):

  Andrew G. Christensen (see profile)

  Date:

  2007

  Subject(s):

  Czech literature, Czechoslovakia, History, Theater, History, Modern, Political science, Theater--Political aspects

  Item Type:

  Other

  Tag(s):

  Václav Havel, Theatre of the Absurd, czechoslovakia, czech, dissident, History of Czechoslovakia, Modern theatre, Political thought, Theatre and politics

  
  

• Hacerse el tonto: en el fracaso está la solución

  Author(s):

  Edwin Culp (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Performance art--Study and teaching, Theater--Political aspects

  Item Type:

  Book chapter

  Tag(s):

  aesthetics and politics, Time and temporality, Performance studies, Theatre and politics

  
  

• Hubert’s Encounters with the Succession in Shakespeare’s King John

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2018

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature

  Subject(s):

  Shakespeare, William, 1564-1616, Theater, History, Theater--Political aspects, British literature, Sixteenth century, Seventeenth century, European drama--Renaissance, Drama

  Item Type:

  Article

  Tag(s):

  King John, Shakespeare in performance, Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama

  
  

• FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

  Author(s):

  George Prokhorov (see profile)

  Date:

  2017

  Group(s):

  CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature

  Subject(s):

  Theater--Political aspects, Renaissance, Spain, Russia, History, Travel writing

  Item Type:

  Article

  Tag(s):

  Early modern drama, adaptation, Travel Writing, Russia, lope de vega, Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Mythology, Greek, Playwriting, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Roman drama, Greek mythology, Theatre and politics

  
  

• Our Carnal Hearts (interview with Rachel Mars)

  Author(s):

  Roberta Mock (see profile)

  Date:

  2017

  Group(s):

  Performance Studies

  Subject(s):

  Theater--Political aspects

  Item Type:

  Blog Post

  Tag(s):

  Resistance, theatre, women in performance, Gender studies, Performance, Theatre and politics

  
  

• Training in a Cold Climate: Edited Transcript of Roundtable Discussion with Catherine Alexander, Alison Andrews, Tom Cornford, Matt Hargrave, Struan Leslie, Kylie Walsh

  Author(s):

  Tom Cornford (see profile)

  Date:

  2014

  Subject(s):

  Art--Study and teaching, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Art education, Theatre and politics

  
  

• Peter Boenisch and Thomas Ostermeier The Theatre of Thomas Ostermeier Abingdon: Routledge, 2016, 262 p. £32.99. ISBN: 978-1-138-91447-6.Peter M. Boenisch Directing Scenes and Senses: the Thinking of Regie Manchester: Manchester University Press, 2015. 256 p. £65. ISBN: 978-0-7190-9719-5.

  Author(s):

  Tom Cornford (see profile)

  Date:

  2017

  Subject(s):

  Theater, German drama, Theater--Political aspects, Theater--Philosophy

  Item Type:

  Review

  Tag(s):

  German theatre, Theatre and politics, Theatre theory

  
  

• Polyneices’ Body and His Monument: Class, Social Status, and Funerary Commemoration in Sophocles’ Antigone

  Author(s):

  David Roselli (see profile)

  Date:

  2006

  Subject(s):

  Theater, Sixteenth century, Seventeenth century, Art, Greek, Greece, History, Marxian school of sociology, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Ancient theatre, Greek art, greek history, Marxism, Classical theatre, Greek history, Marxist sociology, Theatre and politics

  
  

• Vegetable-Hawking Mom and Fortunate Son: Euripides, Tragic Style, and Reception

  Author(s):

  David Roselli (see profile)

  Date:

  2005

  Subject(s):

  Aesthetics, Greece, History, Ancient, Greek drama, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Greek drama, greek history, performance, Ancient Athenian Politics, Ancient Greek history, Greek theatre, Theatre and politics

  
  

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