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ASEEES Deposits
Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies
Author(s):
Gil Rodman
(see profile)
Date:
2015
Group(s):
Cultural Studies
Subject(s):
Culture--Study and teaching
,
Popular music
Item Type:
Book chapter
Tag(s):
Cultural studies
,
Popular Music Studies
"The Sound of the Underground": Distinguishing Alternative Identity in Rap's Contemporary Moment
Author(s):
Jacob P. Cupps
(see profile)
Date:
2022
Subject(s):
Hip-hop
,
Identity (Psychology)
,
Music theory
,
Popular music
Item Type:
Thesis
Tag(s):
Hip Hop
,
Identity
,
Popular Music Studies
Textual Stealing?: Copyright, Race, and Elusive Justice
Author(s):
Gil Rodman
(see profile)
Date:
2021
Group(s):
Cultural Studies
Subject(s):
Copyright
,
Racism
,
Mass media--Study and teaching
,
Culture--Study and teaching
,
Popular music
Item Type:
Book chapter
Tag(s):
Robin Thicke
,
Marvin Gaye
,
Cultural appropriation
,
Reparations
,
Media studies
,
Cultural studies
,
Popular Music Studies
Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame
Author(s):
Megan Lavengood
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Musicology
,
Electronic dance music
,
Popular music
Item Type:
Book chapter
Tag(s):
Roland TR-909
,
analysis
,
percussion
,
drum machines
,
Jeff Mills
,
Popular Music Studies
Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski
Author(s):
Toru Momii
(see profile)
Date:
2021
Subject(s):
Popular music
,
Race relations--Study and teaching
,
Ethnology--Study and teaching
,
Critical theory
,
Music
,
Japan
,
Music theory
Item Type:
Dissertation
Tag(s):
21st-century music
,
Honjoh Hidejirō
,
Mitski
,
Miyata Mayumi
,
Contemporary music
,
Critical race and ethnic studies
,
Interculturality
,
Japanese music
,
Popular Music Studies
Savage intimacy, deviant safety: surveillance technology and club culture
Author(s):
Larisa Mann
(see profile)
Date:
2017
Group(s):
Ethnomusicology
,
Law, Technology and Society
,
Music and Sound
Subject(s):
Popular music
,
Privacy
,
Spying
,
Area studies
Item Type:
Conference paper
Tag(s):
Popular Music Studies
,
Surveillance studies
Embodied Meaning in Jamaican Popular Music
Author(s):
Larisa Mann
(see profile)
Date:
2015
Group(s):
Ethnomusicology
,
Music and Sound
Subject(s):
Caribbean Area
,
Ethnology--Fieldwork
,
Music
,
Popular music
Item Type:
Article
Tag(s):
intimacy
,
Caribbean
,
Epistemology
,
Ethnographic fieldwork
,
Popular Music Studies
Resistance Gazes in Recent Music Videos
Author(s):
Brad Osborn
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Motion picture music
,
Culture--Study and teaching
,
Mass media--Study and teaching
,
Music theory
,
Popular music
Item Type:
Article
Tag(s):
music video
,
Beyoncé
,
Rihanna
,
Film music
,
Cultural studies
,
Media studies
,
Popular Music Studies
Heavy Metal as response to Global Crises
Author(s):
David Burke
(see profile)
Date:
2021
Subject(s):
Heavy metal (Music)--Instruction and study
,
Popular music
,
Philosophy
,
Postmodernism
,
Critical theory
Item Type:
Conference paper
Tag(s):
Metal Music Studies
,
Popular Music Studies
« Politique de l’instant musical. Résider, produire, disparaître – écouter. Entretien avec Nicolas Frize »
Author(s):
Lambert Dousson
(see profile)
Date:
2008
Subject(s):
Popular music
Item Type:
Interview
Tag(s):
Contemporary music
« Anges pour l'histoire. Entretien avec Vinko Globokar »
Author(s):
Lambert Dousson
(see profile)
,
Sylvain Prudhomme
Date:
2005
Subject(s):
Popular music
Item Type:
Interview
Tag(s):
Contemporary music
« De la structure au geste. Entretien avec Frédéric Durieux »
Author(s):
Lambert Dousson
(see profile)
Date:
2007
Subject(s):
Popular music
Item Type:
Interview
Tag(s):
Contemporary music
« De l’écoute buissonnière à l’empreinte du geste. Entretien avec Gérard Pesson »
Author(s):
Lambert Dousson
(see profile)
,
Sarah Troche
Date:
2009
Subject(s):
Popular music
Item Type:
Interview
Tag(s):
Gérard Pesson
,
Contemporary music
« Faire corps, (dés)assembler. Sur les pouvoirs politiques de l’écriture musicale (Wagner, Mahler, Berio) »
Author(s):
Lambert Dousson
(see profile)
Date:
2005
Subject(s):
Popular music
,
Aesthetics--Philosophy
Item Type:
Article
Tag(s):
Richard Wagner
,
Gesamtkunstwerk
,
Luciano Berio
,
Contemporary music
,
Aesthetic theory
« Vertiges de la voix »
Author(s):
Lambert Dousson
(see profile)
Date:
2020
Subject(s):
Popular music
Item Type:
Article
Tag(s):
Electroacoustic music
,
Contemporary music
« Les cosmophonies domestiques de Karlheinz Stockhausen. Maison-musique-machine : mystique(s) »
Author(s):
Lambert Dousson
(see profile)
Date:
2008
Subject(s):
Popular music
Item Type:
Article
Tag(s):
Karlheinz Stockhausen
,
Contemporary music
« Un spectre habite les océans (Steve Reich, Gérard Grisey, le chant des cigales et des baleines) »
Author(s):
Lambert Dousson
(see profile)
Date:
2009
Subject(s):
Popular music
Item Type:
Article
Tag(s):
steve reich
,
Gérard Grisey
,
music and nature
,
whales
,
Contemporary music
Formalisme et ritualité chez Boulez et Stockhausen
Author(s):
Lambert Dousson
(see profile)
Date:
2013
Subject(s):
Popular music
,
Aesthetics
,
Art and philosophy
,
Structuralism
,
Barthes, Roland
Item Type:
Article
Tag(s):
Pierre Boulez
,
Karlheinz Stockhausen
,
Claude Lévi-Strauss
,
Contemporary music
,
Philosophy and the arts
,
Formalism
,
Roland Barthes
An Index to The Tuneful Yankee and Melody Magazine
Author(s):
Kendra Leonard
(see profile)
Date:
2021
Group(s):
MS Screen Arts and Culture
,
Music Library Association
,
Women in American Music
Subject(s):
Bibliography
,
Music--Social aspects
,
Popular music
,
Popular culture
,
Silent films
,
Music
,
Periodicals
Item Type:
Book
Tag(s):
index
,
silent film
,
Music and Society
,
Popular Music Studies
,
Silent cinema
Politique de la voix archivée
Author(s):
Lambert Dousson
(see profile)
Date:
2014
Subject(s):
Popular music
,
Music and philosophy
,
Opera
,
Voice
Item Type:
Article
Tag(s):
Contemporary music
,
Voice and opera
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Sound art
,
Composition (Music)
,
Music--Performance
,
Video art
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
,
Contemporary music
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
Editorial: Ubiquitous Music Making in COVID-19 Times
Author(s):
Leandro Costalonga
,
Damián Keller
,
Marcello Messina
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Computers
,
Music
,
Popular music
,
Culture--Study and teaching
,
Composition (Music)
Item Type:
Article
Tag(s):
Computers and music
,
Contemporary music
,
Cultural studies
,
Music composition
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music theory
,
Music
,
History
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Music
,
History
,
Music theory
Item Type:
Book chapter
Tag(s):
Popular Music Studies
,
Music history
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