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ASEEES Deposits
Das Kollektive komponieren: Vom Praktizieren der Kongruenz in der Wissensproduktion
Author(s):
Valeria Graziano
(see profile)
Date:
2023
Group(s):
Cultural Studies
,
Digital Humanists
,
Feminist Humanities
,
Performance Studies
,
Science and Technology Studies (STS)
Item Type:
Article
Tag(s):
care
,
technology
,
pedagogy
,
service
,
digital commons
A manifesto to decentre theatre and performance studies
Author(s):
Swati Arora
(see profile)
Date:
2021
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
Subject(s):
Performing arts
,
Theater
,
Decolonization in art
,
Decolonization
,
Anti-racism
,
Social justice
,
Research--Methodology
,
Postcolonialism
,
Postcolonialism and the arts
Item Type:
Article
Tag(s):
Theatre Studies
,
performing arts
,
anti-racism
,
statues
,
Research methodology
,
Ethics of care
,
feminist methodology
,
caste
,
Postcolonialism
,
decolonial theory
Fugitive aesthetics: performing refusal in four acts
Author(s):
Swati Arora
(see profile)
Date:
2022
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
,
Urban Studies
Subject(s):
Feminist theory
,
South Africa
,
South Asia
,
Performing arts
,
MeToo movement
,
Feminism and art
,
Feminist geography
,
Photography
,
India
Item Type:
Book chapter
Tag(s):
Feminist theory
,
women in performance
,
Black studies
,
Art of Black Dissent
,
space and place
,
urban commons
,
photography
,
Black hair
,
loitering
The right to be lazy and to enjoy it too. On the art of refusing work and the labour of refusing art.
Author(s):
Valeria Graziano
(see profile)
Date:
2022
Group(s):
Cultural Studies
,
Labor Studies
,
Performance Studies
Subject(s):
Art
,
Performing arts
Item Type:
Article
QUELLO CHE DOVEVA ACCADERE
Author(s):
Stefano Verri
(see profile)
Date:
2020
Group(s):
Art's Impact on Society
,
Contemporary Art
,
Performance Studies
Subject(s):
Performing arts
,
Arts--Political aspects
Item Type:
Blog Post
The Theatre and Sustainable Human Development: Fumes of Fuel and Boundless Love as Paradigms
Author(s):
Martins Uze E. Tugbokorowei
(see profile)
Date:
2017
Group(s):
Canadian Theatre
,
Digital Humanists
,
Global Digital Humanities Symposium
,
Performance Studies
,
Sustainability
Item Type:
Article
New Aesthetic Dimensions in African Drama and Theatre: A Festschrift in Honour of Prof Sam Ukala
Editor(s):
Chukwuma Anyanwu
,
Martins Uze E. Tugbokorowei
(see profile)
Date:
2018
Group(s):
Canadian Theatre
,
Cultural Studies
,
Digital Humanists
,
Global Digital Humanities Symposium
,
Performance Studies
Item Type:
Book
Verso una teoria delle pratiche prefigurative
Author(s):
Valeria Graziano
(see profile)
Date:
2021
Group(s):
Anarchism
,
Cultural Studies
,
Performance Studies
Item Type:
Book chapter
When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes
Author(s):
Valeria Graziano
(see profile)
,
Marcell Mars
,
Tomislav Medak
Date:
2021
Group(s):
Cultural Studies
,
Feminist Humanities
,
Performance Studies
Item Type:
Article
Tag(s):
Ethics of care
,
Piracy
Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites
Author(s):
Armin Selbitschka
(see profile)
Date:
2018
Group(s):
Anthropology
,
Archaeology
,
Chinese history, culture and language
,
Chinese Religions
,
Performance Studies
Subject(s):
Food--Study and teaching
,
Food
,
History
,
Archaeology
,
Archaeology and religion
,
China
,
Ritual
Item Type:
Abstract
Tag(s):
food archaeology
,
Chinese Philosophy
,
Food studies
,
Food history
,
Archaeology of religions
,
Chinese archaeology
Walking at Midnight: Women and Danger on Delhi’s Streets
Author(s):
Swati Arora
(see profile)
Date:
2019
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
,
Urban Studies
Subject(s):
South Asia
,
Postcolonialism
,
Feminist geography
Item Type:
Article
Tag(s):
walking
,
public space
,
urban space
,
Urban studies
,
Gender studies
Walk in India and South Africa: notes towards a decolonial and transnational feminist politics
Author(s):
Swati Arora
(see profile)
Date:
2020
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
,
Urban Studies
Subject(s):
Human geography
,
Feminist geography
,
Place (Philosophy)
,
Space
Item Type:
Article
Tag(s):
walking
,
delhi
,
south africa
,
urban commons
,
Urban studies
,
Performance and politics
,
Space and place
Networked audience participation: the futurity of post-Brexit democracy in One Day, Maybe and Operation Black Antler
Author(s):
Joseph Dunne-Howrie
(see profile)
Date:
2021
Group(s):
CityLIS
,
Digital Humanists
,
Library & Information Science
,
Performance Studies
Subject(s):
Theater--Political aspects
,
Democracy--Philosophy
Item Type:
Article
Tag(s):
theatre
,
Brexit
,
infosphere
,
Theatre and politics
,
Digital culture
,
Politics of digital surveillance
,
Democratic theory
Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?
Author(s):
Mariusz Kozak
(see profile)
Date:
2021
Group(s):
American Musicological Society
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Dance and technology
,
Phenomenology
,
Musicology
Item Type:
Article
Tag(s):
minimalism
,
Temporality
Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate
Author(s):
Robin Rolfhamre
(see profile)
Date:
2021
Group(s):
Education and Pedagogy
,
Performance Studies
Subject(s):
Education, Higher
,
Music--Instruction and study
,
Music--Performance
,
Ethics
,
Rhetoric
,
Teaching
,
Learning
Item Type:
Book chapter
Tag(s):
musical instrument
,
mandate
,
Higher education
,
Music education
,
Music performance
,
Teaching and learning
Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders
Author(s):
Yaron Meron
(see profile)
Date:
2020
Group(s):
Performance Studies
Subject(s):
Graphic arts
,
Ethnology
,
Performative (Philosophy)
,
Drama--Technique
,
Performance art--Study and teaching
,
Methodology
Item Type:
Article
Tag(s):
design research
,
creative practice
,
Design (graphic)
,
Design thinking
,
Ethnography
,
Performativity
,
Dramaturgy
,
Performance
,
Performance studies
Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”
Author(s):
Hugo Barreiro
,
Pablo Suárez
(see profile)
Date:
2019
Group(s):
Ethnomusicology
,
Paper Music
,
Performance Studies
Subject(s):
Ethnomusicology
,
Wit and humor
,
Education
Item Type:
Article
Tag(s):
Humor studies
,
Performance
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Ethnomusicology
,
Performance Studies
Subject(s):
Musical analysis
,
Performance art--Study and teaching
Item Type:
Article
Tag(s):
Music analysis
,
Performance studies
El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical
Author(s):
Hugo Barreiro
,
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Ethnomusicology
,
Paper Music
,
Performance Studies
Subject(s):
Wit and humor
,
Education
,
Music
,
Intertextuality
Item Type:
Article
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre
(see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub
,
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Popular music
,
Sixteenth century
,
Seventeenth century
,
France
,
Music
,
Music--Performance
,
Culture--Study and teaching
,
Performance art--Study and teaching
Item Type:
Dissertation
Tag(s):
popular music
,
Seventeenth-century
,
lute
,
Popular Music Studies
,
Early Modern
,
Early modern France
,
17th-century music
,
Music performance
,
Cultural studies
,
Performance studies
Recreation at stake
Author(s):
Valeria Graziano
(see profile)
Date:
2019
Group(s):
Anarchism
,
Cultural Studies
,
Feminist Humanities
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Performance Studies
Subject(s):
Politics and culture
,
Popular culture
,
Performance art--Study and teaching
,
Organizational sociology
,
Capitalism--Social aspects
,
Culture--Economic aspects
Item Type:
Book chapter
Tag(s):
recreation
,
creative industries
,
Audre Lorde
,
playground
,
antiwork politics
,
Cultural politics
,
Performance studies
,
Organization theory
,
Culture and capitalism
Escuchar lo justo
Author(s):
Edwin Culp
(see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance art--Study and teaching
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
,
Performance studies
,
Representation
Crisis Acting in The Destroyed Room
Author(s):
Joseph Dunne
(see profile)
Date:
2019
Group(s):
CityLIS
,
Digital Humanists
,
Library & Information Science
,
Performance Studies
Subject(s):
Social media
,
Terrorism--Social aspects
,
Internet
Item Type:
Article
Tag(s):
#citylis
,
#theatre
,
#terrorism
,
#conspiracytheory
,
Sociology of terrorism
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling
(see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Performance art--Study and teaching
,
Popular culture--Study and teaching
Item Type:
Thesis
Tag(s):
Beyoncé
,
critical whiteness studies
,
Critical race studies
,
Performance studies
,
Popular culture studies
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory
Subject(s):
Music theory
,
Musicology
,
Cognition
,
Phenomenology
Item Type:
Book
Tag(s):
Embodied cognition
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