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Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
Coming of Age in Troubled Times: Son of Babylon and Theeb
Author(s):
Hania Nashef (see profile)
Date:
2018
Group(s):
LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture
Subject(s):
Arabic culture, Film, Film and history, Film and politics, Postcolonial culture
Item Type:
Article
Tag(s):
Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema
Wearable Interfaces, Networked Bodies, and Feminist Interfaces
Author(s):
Kim Knight (see profile)
Date:
2018
Group(s):
Computer Studies in Language and Literature, Interdisciplinary Approaches to Culture and Society, MS Screen Arts and Culture, TC Popular Culture, TC Women’s and Gender Studies
Subject(s):
21st-century media studies, Critical making, Digital humanities, Embodiment, Feminisms, Public humanities, Teaching
Item Type:
Book chapter
Tag(s):
cyborgs, interfaces, wearables
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle
Author(s):
Tobias Steiner (see profile)
Date:
2018
Group(s):
Digital Humanists, MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Television, Television studies
Item Type:
Blog Post
Tag(s):
man in the high castle, 11.22.63, alternate history, nostalgia
Obsolescence and Innovation in the Age of the Digital
Author(s):
Kathleen Fitzpatrick (see profile)
Date:
2018
Group(s):
Digital Humanists, Digital Humanities, LLC 20th- and 21st-Century American, MS Screen Arts and Culture, TC Digital Humanities
Subject(s):
Digital humanities, Digital media, Innovation
Item Type:
Book chapter
Tag(s):
obsolescence
„Ça va de soi“. Die visuelle Repräsentation von Gewalt im Holocaust-Dokumentarfilm
Author(s):
Brian Winston
Translator(s):
Tobias Steiner (see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Holocaust studies, Documentary, Holocaust, Animation, Visual culture
Item Type:
Translation
Tag(s):
Brian Winston, Documentary, Holocaust, Animatio, Visual Culture
Transmediales Erzählen im narrativen Universum von "Game of Thrones"
Author(s):
Tobias Steiner (see profile)
Date:
2013
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Game of Thrones, Transmedia Storytelling, Television studies
Item Type:
Article
Tag(s):
Game of Thrones, transmedia, fan fiction
Review: Jonas Nesselhauf / Markus Schleich (Hrsg.) (2014): Quality-TV. Die narrative Spielwiese des 21. Jahrhunderts?! Münster: LIT
Author(s):
Sebastian Armbrust, Tobias Steiner (see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Television Studies
Subject(s):
Television, Television studies, Visual culture
Item Type:
Book review
Tag(s):
Quality TV, Television Studies, Book review
TV or not TV? Historical Development of US American Serial Television from the 1950s up to today // Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute
Author(s):
Tobias Steiner (see profile)
Date:
2013
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Television Studies
Subject(s):
Television studies, Visual culture
Item Type:
Syllabus
Tag(s):
US television, history
ENWR 1510: The Musical Then and Now
Author(s):
Brandon Walsh (see profile)
Date:
2018
Group(s):
MS Screen Arts and Culture, MS Sound, Pedagogy and Textual Scholarship
Subject(s):
Pedagogy, Musical theater, Teaching, Writing, Rhetoric
Item Type:
Syllabus
Tag(s):
pedagogy, Teaching Composition, Musical, Theatre history
Bron/Broen, the Pilot Episode as Space between Cultures, and (re)negotiations of Nordic Noir
Author(s):
Tobias Steiner (see profile)
Date:
2017
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Nordic Noir, Television format, Television Studies, Scandinavian noir
Item Type:
Presentation
Tag(s):
Television Studies, Noir Fiction, Television Formats
Hearing Gender in George Lucas's Galaxy
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Film studies, Gender studies, Historical musicology
Item Type:
Blog Post
Heavy Metal Elves
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Historical musicology, Musicology, Popular Music Studies
Item Type:
Blog Post
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare
Item Type:
Article
Tag(s):
adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare
Got Jewish Milk? Screening Epstein and Van Sant for Intersectional Film History
Author(s):
Helene Meyers (see profile)
Date:
2017
Group(s):
CLCS Global Jewish, LLC Jewish American, MS Screen Arts and Culture, TC Sexuality Studies
Subject(s):
Film criticism, Jews and the arts, Queer/gay
Item Type:
Article
Tag(s):
Biopics, Film history, Jewish American, queer cinema
Shakespeare and the Ethics of Appropriation (New York: Palgrave, 2014), ed. Alexa Huang and Elizabeth Rivlin.
Author(s):
Alexa Alice Joubin (see profile) , Elizabeth Rivlin
Date:
2014
Group(s):
GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Adaptation, Film studies, Globalization, Performance, Shakespeare
Item Type:
Book
Tag(s):
20th century film, adaptation, Global Shakespeare, intercultural performance, Shakespeare
“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, East Asian literatures, Film criticism, Globalization, Shakespeare
Item Type:
Book chapter
Tag(s):
Global Shakespeare, Film, East Asian cultures
Strange Concepts and the Stories They Make Possible
Author(s):
Lisa Zunshine (see profile)
Date:
2008
Group(s):
MS Screen Arts and Culture, TC Cognitive and Affect Studies, TM Literary and Cultural Theory, TM Literary Criticism
Subject(s):
Art history, British literature, Cultural studies, Literature and psychology, Literature and science
Item Type:
Book
Tag(s):
npm17
Demythologizing the Palestinian in Hany Abu-Assad’sOmarandParadise Now
Author(s):
Hania Nashef (see profile)
Date:
2015
Group(s):
CLCS 20th- and 21st-Century, MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies
Subject(s):
Cultural studies, Film studies, Media studies, Middle Eastern literature, Postcolonial literature
Item Type:
Article
Tag(s):
21st Century Literature, Arab cinema, arab media, cultural studies, Palestine
Why Robots Go Astray
Author(s):
Lisa Zunshine (see profile)
Date:
2008
Group(s):
LLC Restoration and Early-18th-Century English, MS Screen Arts and Culture, TC Cognitive and Affect Studies, TM Literary and Cultural Theory, TM Literary Criticism
Subject(s):
Art history, British literature, Cultural studies, Literature and psychology, Literature and science
Item Type:
Book
Tag(s):
npm17
Introduction to Digital Humanities: Digital Literary Studies
Author(s):
Kathi Inman Berens (see profile)
Date:
2017
Group(s):
Computer Studies in Language and Literature, MS Screen Arts and Culture, RCWS Writing Pedagogies, TC Digital Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Cultural studies, Digital humanities, Pedagogy, Poetics
Item Type:
Syllabus
Tag(s):
OEW2017
Interactive Digital Narratives Syllabus (Davidson College 2016)
Author(s):
Mark Sample (see profile)
Date:
2016
Group(s):
Digital Humanities, MS Screen Arts and Culture
Subject(s):
Digital humanities, Media studies
Item Type:
Syllabus
Tag(s):
OEW2017
The bad boy antihero and contemporary politics: Scarface and Gunday
Author(s):
Debra Ann Castillo (see profile)
Date:
2016
Group(s):
CLCS 20th- and 21st-Century, LLC 20th- and 21st-Century American, MS Screen Arts and Culture, TC Race and Ethnicity Studies, TM Literary and Cultural Theory
Subject(s):
American literature, Comparative literature, Film studies, Indian literature, Modern literature
Item Type:
Essay
Tag(s):
21st Century Literature, collective politics, comparative literature, contemporary literature, film

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