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• No Air Left in Your Lungs: Breathing with Kae Tempest's The Book of Traps and Lessons

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2021

  Group(s):

  Digital Humanists, Poetics and Poetry

  Subject(s):

  Spoken word poetry, Spoken word poetry, COVID-19 Pandemic (2020-), Performances, Performing arts, Performing arts festivals, Poetry

  Item Type:

  Article

  Tag(s):

  spoken word, poetry, covid-19, music festival

  
  

• Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2021

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Mythology, Greek, Greek drama (Tragedy), Motion pictures, Twentieth century

  Item Type:

  Book chapter

  Tag(s):

  Classical Reception Studies, Classical receptions, film adaptation, Mythologies, Classical reception, Greek mythology, Greek tragedy, 20th-century film, Adaptation

  
  

• Greek Tragedy, Agonistic Space, and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Theater, History, Theater--Political aspects, Theater and society, Drama, Greek drama, Latin drama, Greek drama (Tragedy)

  Item Type:

  Article

  Tag(s):

  chorus, agonism, Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Theater, Motion pictures, Homer, Epic poetry

  Item Type:

  Book chapter

  Tag(s):

  Classical reception, Theater and film, Performance

  
  

• "It Happens in Ballads": Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Ballads, Drama, Folk music, Playwriting, Theater

  Item Type:

  Book chapter

  Tag(s):

  Balladry, Dramatic literature

  
  

• Athens: A Work-in-Progress

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Greek and Roman Intellectual History

  Subject(s):

  Classical antiquities, Greek drama, Latin drama, Art, Greek, Greek drama (Tragedy)

  Item Type:

  Article

  Tag(s):

  Greek archaeology, Athens, Democracy, Greek and Roman archaeology, Greek and Roman drama, Greek art, Greek tragedy

  
  

• Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Theater, Drama, Playwriting, Music, Scotland

  Item Type:

  Book chapter

  
  

• The Paper Cinema's Odyssey and The Factory, The Odyssey

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek poetry, Latin poetry, Performance practice (Music), Theater

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Latin poetry, Performance, Performance practice

  
  

• Physical Performance and the Languages of Translation

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2010

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Choreography, Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Translating and interpreting

  Item Type:

  Book chapter

  Tag(s):

  Adaptation, Classical reception, Greek and Roman drama, Translation

  
  

• Poetic Language and Corporeality in Translations of Greek Tragedy

  Author(s):

  Stephe Harrop (see profile) , David Wiles

  Date:

  2008

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Choreography, Classsical literature, Criticism, interpretation, etc., Dance, Greek drama, Latin drama, Translating and interpreting

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Roman drama, Translation

  
  

• Speech, Silence and Epic Performance: Alice Oswald's Memorial

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Epic poetry, Greek poetry, Latin poetry, Poetry, Modern

  Item Type:

  Article

  Tag(s):

  Greek and Latin poetry, Modern poetry, Performance

  
  

• ‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Poetry, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Adaptation, Classical reception, Greek and Roman drama, Shakespeare

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek drama, Latin drama, Mythology, Greek, Playwriting, Theater--Political aspects

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Roman drama, Greek mythology, Theatre and politics

  
  

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