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• Genuine Poetics: Expressive Authenticity in Film

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2023

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies, Philosophy

  Item Type:

  Book chapter

  
  

• Building Cars and Destroying Men: Working Class Representation as Christian Allegory in "Blue Collar" (1978)

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2023

  Group(s):

  Cultural Studies, Film Studies, Religious Studies

  Item Type:

  Conference paper

  
  

• Religion and Film: Representation, Experience, Meaning

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2022

  Group(s):

  Film Studies, Religious Studies, Theology

  Subject(s):

  Religions, Theology, Arts

  Item Type:

  Book review

  Tag(s):

  Film studies, Religious studies, Interreligious studies, Theology and the arts

  
  

• Together in the Midst of War: Muslim and Christian Coexistence in Lebanese Cinema

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film Studies, Religious Studies

  Subject(s):

  Motion pictures and history, Religions

  Item Type:

  Book chapter

  Tag(s):

  Film and history, Interreligious studies

  
  

• Conversations: The Journal of Cavellian Studies, no. 8

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2020

  Group(s):

  Philosophy

  Subject(s):

  Philosophy, Cavell, Stanley, 1926-2018

  Item Type:

  Other

  Tag(s):

  Stanley Cavell

  
  

• Cinema Transformed

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film-Philosophy, Film Studies

  Subject(s):

  Communism, Socialism, Motion pictures

  Item Type:

  Book review

  Tag(s):

  Marxism, Film

  
  

• Laughing in Friendship: The Intimate Ensemble Comedy of “Friends”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film Studies, Television Studies

  Subject(s):

  Television--Study and teaching

  Item Type:

  Conference paper

  Tag(s):

  Television studies, Film studies

  
  

• Being Her/She in “Who Are You?”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2007

  Group(s):

  Film Studies, Television Studies

  Subject(s):

  Television--Study and teaching

  Item Type:

  Conference paper

  Tag(s):

  Film studies, Television studies

  
  

• “The Urban and the Domestic: Spaces of American Film Noir”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2018

  Group(s):

  Film Studies

  Item Type:

  Book chapter

  Tag(s):

  Film studies

  
  

• “The Class of Images: Sketch for a Research Project”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Religious Studies

  Item Type:

  Conference proceeding

  Tag(s):

  Film studies, Religious studies

  
  

• “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2018

  Group(s):

  Film Studies

  Item Type:

  Article

  Tag(s):

  Film studies

  
  

• “The Work of Cinematic Art: Art as Work and Work as Art”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2020

  Group(s):

  Film Studies, Philosophy

  Subject(s):

  Communism, Socialism

  Item Type:

  Article

  Tag(s):

  Marxism, Film studies

  
  

• Divinely Human: Robert Bresson's Spiritual Reflections

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film Studies, Religious Studies, Theology

  Subject(s):

  Theology

  Item Type:

  Conference paper

  Tag(s):

  Film studies

  
  

• On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film-Philosophy, Film Studies, Philosophy

  Subject(s):

  Art and philosophy

  Item Type:

  Conference paper

  Tag(s):

  Film studies, Philosophy and the arts

  
  

• Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film-Philosophy, Film Studies

  Subject(s):

  Television--Study and teaching

  Item Type:

  Conference paper

  Tag(s):

  Television studies

  
  

• Spectres of Today: The Fractures of History in “Horse Money” (2014)

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2020

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies, Religious Studies

  Subject(s):

  Imperialism, Digital Art

  Item Type:

  Article

  Tag(s):

  Colonialism, Digital arts

  
  

• Conversations: The Journal of Cavellian Studies, no. 5

  Editor(s):

  Sérgio Dias Branco (see profile) , Amir Khan

  Date:

  2017

  Group(s):

  Cultural Studies, Philosophy

  Subject(s):

  Philosophy, Aesthetics, Cavell, Stanley, 1926-2018, Political science--Philosophy

  Item Type:

  Other

  Tag(s):

  Stanley Cavell, Political philosophy

  
  

• “The Law of Capital: ‘The Measure of a Man’”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2016

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Motion pictures, Communism, Socialism, Language and languages--Style

  Item Type:

  Article

  Tag(s):

  Film, Marxism, Stylistics

  
  

• “Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2012

  Group(s):

  Film Studies, Religious Studies, Theology

  Subject(s):

  Motion pictures, Religion, Catholic Church

  Item Type:

  Conference proceeding

  Tag(s):

  Film, Catholicism

  
  

• “Sembène, Ousmane (1923-2007)”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2016

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Motion pictures, Postcolonialism, Politics and government

  Item Type:

  Book section

  Tag(s):

  Film, Postcolonial culture, Politics

  
  

• “Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Motion pictures, Memory

  Item Type:

  Article

  Tag(s):

  Film

  
  

• “Music Videos and Reused Footage”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2009

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Motion pictures, Music, Video art

  Item Type:

  Book chapter

  Tag(s):

  Film, Video arts

  
  

• “Sci-Fi Ghettos: ‘Battlestar Galactica’ and Genre Aesthetics”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Language and languages--Style, Literary form

  Item Type:

  Book chapter

  Tag(s):

  Stylistics, Genres

  
  

• “Super Style: Notes for a Stylistic Analysis”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2011

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Language and languages--Style

  Item Type:

  Book chapter

  Tag(s):

  Stylistics

  
  

• “Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2013

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Language and languages--Style

  Item Type:

  Book chapter

  Tag(s):

  Stylistics

  
  

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