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De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Medieval Studies
,
Society for Music Theory (SMT)
Subject(s):
Music
,
Middle Ages
,
Music theory
,
Musical analysis
,
History
Item Type:
Dissertation
Tag(s):
History of Music Theory
,
Counterpoint
,
Ars nova
,
Medieval music
,
Music analysis
,
Music history
Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'
Author(s):
Ryan Taycher
(see profile)
Date:
2013
Subject(s):
Musical analysis
,
Music theory
Item Type:
Thesis
Tag(s):
Edward Elgar
,
Schenkerian analysis
,
Music analysis
Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf
Author(s):
Ryan Taycher
(see profile)
Date:
2012
Subject(s):
Songs
,
Musical analysis
,
Music theory
Item Type:
Article
Tag(s):
Hugo Wolf
,
Schenkerian analysis
,
Lieder
,
Music analysis
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