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Our Carnal Hearts (interview with Rachel Mars)
Author(s):
Roberta Mock
(see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
Theater--Political aspects
Item Type:
Blog Post
Tag(s):
Resistance
,
theatre
,
women in performance
,
Gender studies
,
Performance
,
Theatre and politics
Memories, Hauntings & Exorcisms in Brad Fraser's Snake in Fridge
Author(s):
Roberta Mock
(see profile)
Date:
2008
Subject(s):
Twentieth century
,
Canadian literature
,
Sexual minority culture
,
Theater
,
Drama
,
America
Item Type:
Book chapter
Tag(s):
Postwar Canadian literature
,
Theatre Studies
,
cultural memory
,
Brad Fraser
,
20th century
,
Queer theatre
,
Theatre and drama of the Americas
Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus
Author(s):
Roberta Mock
(see profile)
Date:
2010
Group(s):
Cultural Studies
,
Performance Studies
Subject(s):
Performance art
,
Sexual minority culture
,
Theater
Item Type:
Book chapter
Tag(s):
Georges Bataille
,
La Fura dels Baus
,
Marquis de Sade
,
Ron Athey
,
Theatre Studies
,
Gender and sexualities
,
Performance and politics
,
Queer theatre
Introduction to screening of ‘Stories We Tell’ (2012)
Author(s):
Roberta Mock
(see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Canada
,
Area studies
,
Performance art--Study and teaching
Item Type:
Blog Post
Tag(s):
autobiography
,
Sarah Polley
,
Stories We tell
,
storytelling
,
Canadian studies
,
Film studies
,
Performance studies
Reflections on the Arts and Humanities Doctoral Thesis and Training
Author(s):
Roberta Mock
(see profile)
Date:
2016
Group(s):
Doctoral Research in the Arts
Subject(s):
Art--Research
Item Type:
Blog Post
Tag(s):
doctoral training
,
PhD
,
postgraduate research
,
research skills
,
UK
,
Artistic research
Performing the Toxic Body
Author(s):
Roberta Mock
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Performance Studies
Subject(s):
Performance art--Study and teaching
,
Popular music
,
Human body--Sociological aspects
Item Type:
Blog Post
Tag(s):
Absence Presence
,
Amy Winehouse
,
performance
,
Prince
,
the body
,
Performance studies
,
Popular Music Studies
,
Sociology of the body
Remembering Archaos: Circus with Attitude
Author(s):
Roberta Mock
(see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Twentieth century
,
Performing arts
,
Popular culture--Study and teaching
Item Type:
Blog Post
Tag(s):
Archaos
,
circus
,
20th century
,
French theatre
,
Popular culture studies
Lynn Hershman and the Creation of Multiple Robertas
Author(s):
Roberta Mock
(see profile)
Date:
2012
Group(s):
Performance Studies
Subject(s):
Twentieth century
,
Art
,
History
,
Performance art
Item Type:
Book chapter
Tag(s):
alter ego
,
digital performance
,
Lynn Hershman
,
second life
,
20th century
,
Art history
,
Gender studies
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock
(see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art
,
Performance art--Study and teaching
,
Theater and society
,
Theater
,
History
,
Theater--Philosophy
Item Type:
Abstract
Tag(s):
Book of Abstracts
,
Conference
,
Performance Studies
,
Theatre Studies
,
Performance studies
,
Theatre and society
,
Theatre history
,
Theatre theory
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