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Teorias do Cinema (Facom-UFBA, 2017.2)
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film studies
,
Film theory
Item Type:
Syllabus
Tarzan, un noir: Pour une critique de l’économie politique du nom «Afrique»
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2009
Group(s):
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
African studies
,
Anthropology
,
Documentary
,
Film studies
,
Visual culture
Item Type:
Article
Tag(s):
Tarzan
,
cinéma
,
Afrique
,
racisme
,
Jean Rouch
Cinema Internacional: Cinemas Africanos
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film studies
Item Type:
Syllabus
Tag(s):
African film
,
Film studies
,
Film history
O Mundo, o mundo: da alegoria da globalização à revelação do comum
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2013
Group(s):
Film Studies
Subject(s):
China, modern (post-1911)
,
Film studies
,
Film theory
,
Globalization
Item Type:
Article
Tag(s):
allegory
,
Chinese cinema
,
Jia Zhangke
,
World cinema
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Film Studies
,
Postcolonial Studies
Subject(s):
Colonialism
,
Film and politics
,
Film history
,
Film theory
,
Postcolonialism
Item Type:
Article
Tag(s):
African film
,
commons
,
cosmopoetics
,
cosmopolitics
,
decolonization
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