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Purring and Whirring: Music of the Spinning Wheel
Author(s):
Lodewijk Muns
(see profile)
Date:
2023
Subject(s):
Music
,
Piano music
,
Schubert, Franz, 1797-1828
,
Hand spinning
,
Spinning-wheel
,
Wagner, Richard, 1813-1883
,
Goethe, Johann Wolfgang von, 1749-1832
Item Type:
Article
Tag(s):
Spinnlied
,
Spinnerlied
,
Fileuse
,
Spinnerin
,
Gretchen
Why I Am Not a Schenkerian
Author(s):
Lodewijk Muns
(see profile)
Date:
2008
Subject(s):
Music theory
Item Type:
Essay
Who's 'I' in Music?: Unmasking the Musical Persona
Author(s):
Lodewijk Muns
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music and literature
,
Music and philosophy
,
Musical analysis
,
Aesthetics
,
Musicology
Item Type:
Article
Tag(s):
aesthetics of music
,
persona
,
Ludwig van Beethoven
,
Stephen Davies
,
Peter Kivy
,
Music analysis
Shifting Paradigms: Aesthetics, Rhetoric, and Musicology in the Eighteenth and Twentieth Centuries
Author(s):
Lodewijk Muns
(see profile)
Date:
2021
Subject(s):
Rhetoric
,
History
,
Aesthetics
,
Literature
,
Culture
,
Enlightenment
,
Musicology
,
Music
,
Nineteenth century
Item Type:
Article
Tag(s):
Music Aesthetics
,
music and language
,
music as rhetoric
,
History of Humanities
,
History of rhetoric
,
History of aesthetics
,
Literature and culture of the Enlightenment
,
18th-century music
Fiction, Truth, and Lies: The Nonassertion Theory, Quotation, and Music as Fiction
Author(s):
Lodewijk Muns
(see profile)
Date:
2021
Group(s):
Analytic Philosophy
Subject(s):
Fiction
,
Aesthetics
,
Music and philosophy
,
Music and literature
,
Analysis (Philosophy)
Item Type:
Essay
Tag(s):
philosophy of art
,
fictionality
,
Mimesis
,
Analytical philosophy
Musical Quotation and the ‘Use-Mention’ Distinction
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Analytic Philosophy
Subject(s):
Aesthetics
,
Analysis (Philosophy)
,
Music
,
Cognition
Item Type:
Article
Tag(s):
quotation
,
Analytical philosophy
,
Classical music
,
Music cognition
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Music and philosophy
,
Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory
,
music and language
,
recursion
Schocher’s Ideas and Wötzel’s Words: Notes Along a Sidetrack
Author(s):
Lodewijk Muns
(see profile)
Date:
2016
Subject(s):
Biography
,
Germany
,
Area studies
Item Type:
Article
Tag(s):
Christian Gotthold Schocher
,
Johann Carl Wötzel
,
musical notation
,
German studies
Gustav Anton Freiherr von Seckendorff, Alias Patrik Peale: A Biographical Note
Author(s):
Lodewijk Muns
(see profile)
Date:
2016
Subject(s):
Biography
,
Germany
,
Area studies
,
Music
,
History
,
Theater
Item Type:
Article
Tag(s):
art song
,
declamation
,
Franz Schubert
,
German lied
,
Gustav Anton von Seckendorff
,
German studies
,
Music history
,
Theatre history
Art, Aesthetics, and Origins
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Cultural Evolution
,
Ecomusicology
Subject(s):
Aesthetics
,
Social evolution
Item Type:
Book review
Tag(s):
Evolutionary Psychology
,
origins of art
,
Cultural evolution
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
,
Music cognition
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