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• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music theory, Music, History

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular music, Music, History, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies, Music history

  
  

• "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Musical analysis, Musicology, History, Music

  Item Type:

  Article

  Tag(s):

  Music analysis, Historical musicology, Music history

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music analysis, Philosophy and the arts

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Music, History, Musicology, Music theory, Popular music

  Item Type:

  Review

  Tag(s):

  Music analysis, Music history, Popular Music Studies

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music, History, Musicology, Popular music

  Item Type:

  Review

  Tag(s):

  Music history, Popular Music Studies

  
  

• Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

  Author(s):

  John Covach (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music--Instruction and study, Music, History, Musicology, Music theory

  Item Type:

  Review

  Tag(s):

  Music education, Music history

  
  

• “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Musical analysis, Music, History, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  Music analysis, Music history

  
  

• “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Music history, Philosophy and the arts

  
  

• “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

  Author(s):

  John Covach (see profile)

  Date:

  1994

  Group(s):

  American Musicological Society

  Item Type:

  Article

  
  

• “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Music history, Philosophy and the arts

  
  

• “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Musical analysis, Music, History, Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Music analysis, Music history

  
  

• “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

  Author(s):

  John Covach (see profile)

  Date:

  2000

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music, History, Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Music history

  
  

• “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

  Author(s):

  John Covach (see profile)

  Date:

  2002

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music, History, Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Music history

  
  

• “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.

  Author(s):

  John Covach (see profile)

  Date:

  2003

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music, History, Musicology, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Music history

  
  

• "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.

  Author(s):

  John Covach (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music, History, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  Classical music, Music history

  
  

• "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.

  Author(s):

  John Covach (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music, History, Music theory

  Item Type:

  Article

  Tag(s):

  Music history, Western classical music

  
  

• “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Musicology, Music theory, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Music analysis, Popular Music Studies

  
  

• “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musicology, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies

  
  

• "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

  Author(s):

  John Covach (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Musicology, Music theory, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Music analysis, Popular Music Studies

  
  

• “Yes, the Psychedelic-Symphonic Cover, and ‘Every Little Thing’,” in C. Scotto, K. Smith, and J. Brackett, The Routledge Companion to Popular Music Analysis: Expanding Approaches (Routledge, 2018), 277-90.

  Author(s):

  John Covach (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Item Type:

  Book chapter

  
  

• “High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.

  Author(s):

  John Covach (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Culture--Study and teaching, United States, Music, Music--Instruction and study, Musicology

  Item Type:

  Book chapter

  Tag(s):

  American cultural studies, Music education

  
  

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