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• ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Translation Studies

  Subject(s):

  Translating and interpreting, Opera, Mythology, Poetry

  Item Type:

  Review

  Tag(s):

  Richard Wagner, Translation

  
  

• Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2021

  Subject(s):

  Music, Musicology, Aesthetics, Philosophy, Religion, Sex, Opera, Kant, Immanuel, 1724-1804

  Item Type:

  Article

  Tag(s):

  Richard Wagner, redemption, Sexuality, Immanuel Kant

  
  

• The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2017

  Group(s):

  International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub

  Subject(s):

  Musicology, Editing, Opera, Theater, German drama

  Item Type:

  Review

  Tag(s):

  German theatre

  
  

• Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2013

  Group(s):

  International Musicological Society (IMS)

  Subject(s):

  Musicology, Feminism, Sex, Opera

  Item Type:

  Review

  Tag(s):

  Sexuality, Gender

  
  

• ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

  Author(s):

  Jeremy Coleman (see profile)

  Date:

  2019

  Group(s):

  Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)

  Subject(s):

  Musicology, History, National characteristics, Nationalism, Opera, Translating and interpreting

  Item Type:

  Article

  Tag(s):

  Historical musicology, National identity, Translation

  
  

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