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Психопоэтика меланхолии в романе Михаила Шишкина “Записки Ларионова” [Psychopoetics of Melancholy in Mikhail Shishkin’s Novel ‘Notes of Larionov’]
Author(s):
Irina Schulzki
(see profile)
Date:
2021
Group(s):
Autofiction
,
Literary theory
Subject(s):
Russian literature
,
Psychoanalysis
,
Psychology and literature
,
Diseases
Item Type:
Book chapter
Tag(s):
Mikhail Shishkin
,
Psychosemiotics
,
psychopoetics
,
melancholy
,
repression
,
symptom
,
void
,
object
,
thing
,
abject
,
subject
,
Contemporary Russian literature
,
Literature and psychology
,
Disease
The Genealogy of Gesture: From Kira Muratova to Renata Litvinova
Author(s):
Irina Schulzki
(see profile)
Date:
2021
Group(s):
Film-Philosophy
,
Film Studies
Subject(s):
Russia
,
Area studies
,
Women's studies
,
Motion pictures--Philosophy
Item Type:
Article
Tag(s):
gesture
,
film analysis
,
metalepsis
,
Women's cinema
,
monster theory
,
Film studies
,
Russian studies
,
Mediality
,
Film theory
Жестовость в романе Михаила Шишкина / Gesture in Mikhail Shishkin's Novel "Taking Izmail"
Author(s):
Irina Schulzki
(see profile)
Date:
2019
Group(s):
Autofiction
,
Literary theory
Subject(s):
Russian literature
Item Type:
Article
Tag(s):
reading/writing gestures
,
gesture
,
literary analysis
,
Mikhail Shishkin
,
metalepsis
,
Contemporary Russian literature
‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein
Author(s):
Irina Schulzki
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Motion pictures and history
,
Art
,
Modernism (Art)
,
Intermediality
Item Type:
Book chapter
Tag(s):
gesture
,
synaesthesia
,
senses
,
montage
,
Film and history
,
Global modernism across the arts
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina
,
Irina Schulzki
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Motion pictures
,
Mass media--Study and teaching
,
Human body--Political aspects
,
Motion pictures--Philosophy
,
Performance art
Item Type:
Article
Tag(s):
gesture
,
Giorgio Agamben
,
Sergei Eisenstei
,
political art
,
East European Studies
,
Film
,
Media studies
,
Body politics
,
Film theory
Mikhail Shishkin. Znakovye imena sovremennoj russkoj literatury
Author(s):
Irina Schulzki
(see profile)
Date:
2017
Subject(s):
Literature, Modern
,
Postmodernism
,
Russian literature
,
Russia
,
Area studies
Item Type:
Other
Tag(s):
autofiction
,
intermediality
,
Intertextuality
,
Mikhail Shishkin
,
Postpostmodernism
,
Modern literature
,
Russian studies
,
Translation studies
"По следам Байрона и Толстого": Скрипторика и субъект письма в эссеистике Михаила Шишкина ("In the Steps of Byron and Tolstoy": Scriptorics and the Subject of Writing in Mikhail Shishkin’s prose)
Author(s):
Irina Schulzki
(see profile)
Date:
2017
Subject(s):
Eastern Europe
,
Area studies
,
Russian literature
,
Travel writing
Item Type:
Book chapter
Tag(s):
subjectivity
,
scriptor
,
autofiction
,
Mikhail Shishkin
,
travelogue
,
Eastern European studies
,
Travel narratives
Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"
Author(s):
Irina Schulzki
(see profile)
Date:
2015
Subject(s):
Cinematography
,
Motion pictures--Philosophy
Item Type:
Book chapter
Tag(s):
Film studies
,
phenomenology
,
subjectivity
,
Philosophy and Film
,
Postpostmodernism
,
Film theory
Vom Bathos: Woody Allen's Film "Love and Death"
Author(s):
Irina Schulzki
(see profile)
Date:
2015
Group(s):
Film Studies
Subject(s):
Cinematography
,
Comedy
,
Russian literature
Item Type:
Book chapter
Tag(s):
Bathos
,
Humor
,
Longinus
,
Woody Allen
,
Cinema
,
Comedy arts
,
Film studies
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