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ASEEES Deposits
Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire'
Author(s):
Albertine Fox
(see profile)
Date:
2020
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
Motion pictures, French
,
France
,
Area studies
,
Gender identity--Political aspects
,
Sound
,
Design
,
Motion pictures--Political aspects
Item Type:
Blog Post
Tag(s):
female director
,
female gaze
,
listening
,
film industry
,
French cinema
,
French studies
,
Gender politics
,
Sound design
,
Film and politics
,
Cinema
The end but not the end: twist, revolt, survive
Author(s):
Albertine Fox
(see profile)
Date:
2019
Group(s):
French Literature & Cultural Studies
,
MS Screen Arts and Culture
Subject(s):
Motion pictures, French
,
French-speaking countries
,
Women authors, French
,
Women authors
Item Type:
Conference paper
Tag(s):
Queer and feminist performance
,
French cinema
,
Francophone film
,
French and Francophone women writers
EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s
Puissance de la parole
Author(s):
Albertine Fox
(see profile)
Date:
2015
Group(s):
GS Poetry and Poetics
,
LLC 20th- and 21st-Century French
,
MS Screen Arts and Culture
,
MS Sound
,
MS Visual Culture
Subject(s):
Art
,
History
,
Culture--Study and teaching
,
French literature
,
Mass media--Study and teaching
Item Type:
Article
Tag(s):
european literature
,
french studies
,
music
,
video art
,
Art history
,
Cultural studies
,
Film studies
,
Media studies
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